Repertoire
| Composer | Work | Category | Year | |
|---|---|---|---|---|
| J.L. Bach | Suite G-Dur | Symphonic / Concert | ||
| J.S. Bach | Concerto for Cembalo and Orchestra f-minor BWV 1056 | Symphonic / Concert | ||
| J.C. Bach | SymphonyA-dur | Symphonic / Concert | ||
| L. van Beethoven | 2. piano concerto op.19 | Symphonic / Concert | ||
| L. van Beethoven | 1. Symphony op. 21 | Symphonic / Concert | ||
| L. van Beethoven | 3. Symphony op.55 | Symphonic / Concert | ||
| L. van Beethoven | 4. Symphony op. 60 | Symphonic / Concert | ||
| J.Brahms | double concerto for violin&cello op.102 | Symphonic / Concert | ||
| J.Brahms | 2. piano concerto op. 83 | Symphonic / Concert | ||
| J.Brahms | 1. Symphony op. 68 | Symphonic / Concert | ||
| J.Brahms | 4. Symphony | Symphonic / Concert | ||
| J.Brahms | Schicksalslied op. 54 | Symphonic / Concert | ||
| A.Bruckner | 7.Symphony WAB 107 | Symphonic / Concert | ||
| A.Berg | 4 kleine Stücke für Klarinette und Klavier op.5 (own arrangement for chamber orchestra) | Symphonic / Concert | ||
| A.Berg | Kammerkonzert op.25 | Symphonic / Concert | ||
| A. Casella | La donna serpente op.50 | Symphonic / Concert | ||
| C. Debussy | Children's Corner (arr. Caplet) | Symphonic / Concert | ||
| A.Dvorak | Serenata for Strings E-Major, op.22 | Symphonic / Concert | ||
| A.Dvorak | Stabat Mater op.58 | Symphonic / Concert | ||
| F. Liszt | Deux Légendes S.175 | Symphonic / Concert | ||
| F. Liszt | Prometheus S.99 | Symphonic / Concert | ||
| G. Mahler | Kindertotenlieder | Symphonic / Concert | ||
| F.Mannino | 9.Symphony | Symphonic / Concert | ||
| P.Mascagni | Suite from „Cavalleria Rusticana“ | Symphonic / Concert | ||
| E. Mayer | Ouverture in D | Symphonic / Concert | ||
| F. Mendelssohn | Die erste Walpurgisnacht op. 60 | Symphonic / Concert | ||
| F. Mendelssohn | 4. Symphony "Italian" | Symphonic / Concert | ||
| O. Messiaen | Ascension (1932) | Symphonic / Concert | 1932 | |
| W.A.Mozart | piano concerto KV 107 1, 2 | Symphonic / Concert | ||
| W.A.Mozart | piano concerto KV 114 | Symphonic / Concert | ||
| W.A.Mozart | piano concerto KV 482 | Symphonic / Concert | ||
| W.A.Mozart | Symphony g- moll KV 550, | Symphonic / Concert | ||
| W.A.Mozart | Symphony D-dur („Prager“) KV 504 | Symphonic / Concert | ||
| A.Schönberg | Das Buch der hängenden Gärten (own arrangement for small orchestra) | Symphonic / Concert | ||
| A.Schönberg | Drei Stücke für Kammerorchester (1910) | Symphonic / Concert | 1910 | |
| F. Schreker | Der Geburtstag der Infantin | Symphonic / Concert | ||
| F.Schubert | Zwischenakts- und Ballettmusik zu „Rosamunde“ D 797 | Symphonic / Concert | ||
| F.Schubert | Symphony Nr. 2 D.125 | Symphonic / Concert | ||
| F.Schubert | Symphony Nr. 3 D 200 | Symphonic / Concert | ||
| F.Schubert | Symphony Nr.4 D 417 | Symphonic / Concert | ||
| F.Schubert | Symphony Nr.7 D 759 | Symphonic / Concert | ||
| R.Schumann | Phantasiy for Violin and Orchestra op.131 | Symphonic / Concert | ||
| R.Schumann | Concerto for Violoncello and Orchestra op.129 | Symphonic / Concert | ||
| R. Schumann | 2. Symphony op.61 | R. Schumann | ||
| I.Strawinsky | Octet (1923) | I.Strawinsky | 1923 | |
| I.Strawinsky | L’histoire du Soldat | I.Strawinsky | ||
| I. Stravinski | Le Sacre du Printemps | I. Stravinski | ||
| E.Varèse | Octandre | Symphonic / Concert | ||
| A. Webern | Konzert op.24 | Symphonic / Concert | ||
| K. Weill | Lady in the Dark Suite | Symphonic / Concert | ||
| A. Abbasi faab IV | a femme fatale (2014) | Concert music after 1945 | 2014 | |
| A. Abbasi | Distorted Attitudes/Labyrinth (P) | Concert music after 1945 | ||
| A. Abbasi | Situation II / Dialoge | Concert music after 1945 | ||
| O. Adámek | Sinuous Voices [2004/2009/rev. 2017] | Concert music after 1945 | 2004 | |
| G. Agostinho | Cartography#8 | Concert music after 1945 | ||
| J. Alemany | La religion del sonido 2016 (P) | Concert music after 1945 | 2016 | |
| P. Alessandrini | Ada’s Song | Concert music after 1945 | ||
| P. Alessandrini | Leçons de ténèbres | Concert music after 1945 | ||
| G. Aperghis | la nuit en tete (2000) | Concert music after 1945 | 2000 | |
| V. Aranda | Sobre el abismo interior (P) | Concert music after 1945 | ||
| A. Arkushina | Unnatural Selection (P) (2025) | Concert music after 1945 | 2025 | |
| L. Azigotti | Floema (2015) (P) | Concert music after 1945 | 2015 | |
| L. Azigotti | Ludovico Machine (2016) (P) | Concert music after 1945 | 2016 | |
| N. Baba | Bestiarium (2022) | Concert music after 1945 | 2022 | |
| Ö. Bapbaci | PulseFraySurface (2025) (P) | Concert music after 1945 | 2025 | |
| J. Bailie | Street Souvenir (2014) (P) | Concert music after 1945 | 2014 | |
| S. Baiterekov | (Re)incarnation [Umai] (2016) (P) | Concert music after 1945 | 2016 | |
| Z. Baldi | Fondali (2019) (P) | Concert music after 1945 | 2019 | |
| M. Bang | Palinode (2013) | Concert music after 1945 | 2013 | |
| F. Barajas | Una segunda oportunidad (2022) | Concert music after 1945 | 2022 | |
| C. Bauckholt | Laufwerk | Concert music after 1945 | ||
| C. Bauckholt | Keil (2000) | Concert music after 1945 | 2000 | |
| F. Bedrossian | It (2008) | Concert music after 1945 | 2008 | |
| F. Bedrossian | Swing (2009) | Concert music after 1945 | 2009 | |
| F. Bedrossian | We met as Sparks (2015) | Concert music after 1945 | 2015 | |
| P. Behzad | overwoven (P) (2025) | Concert music after 1945 | 2025 | |
| O. Ben Tal | Between the lines | Concert music after 1945 | ||
| P. Berardinelli | Esbatimento negro (2022) (P) | Concert music after 1945 | 2022 | |
| C. Bertrand | Madrigal (2005) | Concert music after 1945 | 2005 | |
| A. Beste | Incontro concertante (2013) | Concert music after 1945 | 2013 | |
| P. Billone | Dyke Wall | Concert music after 1945 | ||
| P. Billone | Face (2016) (P) | Concert music after 1945 | 2016 | |
| P. Billone | MAAT ME (2020) (P) | Concert music after 1945 | 2020 | |
| I. Blumefield | End of summer - light between you eyes (2022) (P) | Concert music after 1945 | 2022 | |
| I. Blumfield | before you were born (2023) (P) | Concert music after 1945 | 2023 | |
| G. Bozzola | Mikrochaosmos 2015 (P) | Concert music after 1945 | 2015 | |
| G. Bracci | Ritroverai le nubi (2019) (P) | Concert music after 1945 | 2019 | |
| E. Canat de Chizy | Over the sea | Concert music after 1945 | ||
| S. Caneva | Dish to Disk, to Dash (2016) (P) | Concert music after 1945 | 2016 | |
| S. Caneva | Idoli et Incubi (2019) (P) | Concert music after 1945 | 2019 | |
| A.Carretero | Etude d’intesité II (P) | Concert music after 1945 | ||
| A. Carretero | Parallel lives | Concert music after 1945 | ||
| D. Cebic | Sinfonia Concertante (2019) | Concert music after 1945 | 2019 | |
| R. Cendo | Graphein | Concert music after 1945 | ||
| B. Champeaux | Clarinet concerto (2025) (P) | Concert music after 1945 | 2025 | |
| Y. Chen | Pulsation de la forme naissante (2021) | Concert music after 1945 | 2021 | |
| B.E. Chiti | Eserghi (2020) (P) | Concert music after 1945 | 2020 | |
| M. Clera | A Cracked Mirror (2018) | Concert music after 1945 | 2018 | |
| J. Combier | Notebook of possible time (2026) (P) | Concert music after 1945 | 2026 | |
| W. Daugherty | The new normal (2020) | Concert music after 1945 | 2020 | |
| F.C. Darras | Soleil Mat (2014) | Concert music after 1945 | 2014 | |
| H. Daouk | Chain Reactions (2025) (P) | Concert music after 1945 | 2025 | |
| S. De Filippo | A moment exposed (20209 (P) | Concert music after 1945 | ||
| C. Delz | Siegel op. 3 (1976) | Concert music after 1945 | 1976 | |
| Denovaire | Lady McBeth (2013) | Concert music after 1945 | 2013 | |
| S. Diez-Fischer | Canción del ciego (2013) (P) | Concert music after 1945 | 2013 | |
| S. Diez-Fischer | Moving as not moving (2019) | Concert music after 1945 | 2019 | |
| S. Dimou | Les Instances (2019) (P) | Concert music after 1945 | 2019 | |
| M. Djordjevic | Rdja | Concert music after 1945 | ||
| D. Doganay | Mnemic (2020) (P) | Concert music after 1945 | 2020 | |
| D. Doganay | Lullaby(e) (2023) (P) | Concert music after 1945 | 2023 | |
| F. Donatoni | Hot (1989) | Concert music after 1945 | 1989 | |
| M. Döttlinger | Abyssal Zone Music (2023) (P) | Concert music after 1945 | 2023 | |
| R. Dünser | Der Zeiten Spindel (2016) | Concert music after 1945 | 2016 | |
| J. V.-Durán | Macondo (2020) (P) | Concert music after 1945 | 2020 | |
| A. Edler Copes | Untitled (2011) | Concert music after 1945 | 2011 | |
| C. Efthimiou | Medtner (P) | Concert music after 1945 | ||
| H.C. Eren | Revival (“016) (P) | Concert music after 1945 | ||
| D. Fantechi | Day after Wendy (2016) (P) | Concert music after 1945 | 2016 | |
| D. Fantechi | Corale su Rothko (2017) (P) | Concert music after 1945 | 2017 | |
| M. Feldman | the viola in my life 1 (1972) | Concert music after 1945 | 1972 | |
| B. Ferneyhough | La chute d’Icare (1988) | Concert music after 1945 | 1988 | |
| F. Filidei | Finito ogni gesto (2010) | Concert music after 1945 | 2010 | |
| F. Filidei | Cantico delle Creature (2022) | Concert music after 1945 | 2022 | |
| F. Filidei | L'opera (forse) | Concert music after 1945 | ||
| F. Filidei | Stele pour Vierne | Concert music after 1945 | ||
| A.E. Frank | Noise is a common sound (2018) | Concert music after 1945 | 2018 | |
| B. Frenklakh | Without Exemptions (2020) (P) | Concert music after 1945 | 2020 | |
| A. Fure | Soma | Concert music after 1945 | ||
| B. Furrer | Aria (1999) | Concert music after 1945 | 1999 | |
| D. Gagliardi | Principio (2015) (P) | Concert music after 1945 | 2015 | |
| P. Galaz | Crosstalk (2023) (P) | Concert music after 1945 | 2023 | |
| A. Garcia-Vaquero | Petricor (2021) (P) | Concert music after 1945 | 2021 | |
| Z. Gedizliouglu | Jetzt mit meiner linken Hand (2014) | Concert music after 1945 | 2014 | |
| Erin Gee mouthpiece | Segment of the 3rd Letter (2007) | Concert music after 1945 | 2007 | |
| S. Gervasoni | Godspell (2002) | Concert music after 1945 | 2002 | |
| B. González | false papers (2023) (P) | Concert music after 1945 | 2023 | |
| M. Goto | Soon to be out of a Coocoon (2016) (P) | Concert music after 1945 | 2016 | |
| D. Grela | Ecos de Lejanias (1997) | Concert music after 1945 | 1997 | |
| G. Grisey | Talea | Concert music after 1945 | ||
| G. Grisey | Periodes | Concert music after 1945 | ||
| G.F. Haas | Tria ex Uno | Concert music after 1945 | ||
| B.Halperin-Kaddari | Kinky Kings (2014) | Concert music after 1945 | 2014 | |
| B.Halperin-Kaddari | Xiddudin (2014) (P) | Concert music after 1945 | 2014 | |
| M. Hertig | Vektoren (2016) (P) | Concert music after 1945 | 2016 | |
| A. Hölszky | Segmente I (1992) | Concert music after 1945 | 1992 | |
| N. A. Huber | Die Leber des Prometheus | Concert music after 1945 | ||
| N. A. Huber | La Force du Vertige | Concert music after 1945 | ||
| C. Ianotta | D’Après (2012) | Concert music after 1945 | 2012 | |
| S. Ilchmann | Wenn weiße Lilien (2025) (P) | Concert music after 1945 | 2025 | |
| M. Ivicevic | Case Black (2016) | Concert music after 1945 | 2016 | |
| J. Jazylbekova | Chiaroscuro II (2016) (P) | Concert music after 1945 | 2016 | |
| P. Jodlowski | People/Time (2003/2016) | Concert music after 1945 | 2003 | |
| A. Kaiser | Choke (2016) (P) | Concert music after 1945 | 2016 | |
| D. Karski | The Unknowable (2022) (P) | Concert music after 1945 | 2022 | |
| M. Kerer | Oscillations (2016) | Concert music after 1945 | 2016 | |
| H. Kerschbaumer | pedra – debris (2014) (P) | Concert music after 1945 | 2014 | |
| H. Kerschbaumer | Kritzung (2018) | Concert music after 1945 | 2018 | |
| H. Kerschbaumer | Tektono (2019) (P) | Concert music after 1945 | 2019 | |
| H. Kerschbaumer | umfaltet (2023) | Concert music after 1945 | 2023 | |
| N. Khorassani | Paper Pigeons (2020) (P) | Concert music after 1945 | 2020 | |
| A. Khubeev | memory scars (2019) (P) | Concert music after 1945 | 2019 | |
| J. Kim | La Vison de l’Extase (P) | Concert music after 1945 | ||
| S. Kim | Ignition (2014) (P) | Concert music after 1945 | 2014 | |
| S. Kim | Sijo _310516 (P) | Concert music after 1945 | ||
| S. Kim | My fake plastic love (2023) (P) | Concert music after 1945 | 2023 | |
| H. Kiyama | Lemanesque (2016) (P) | Concert music after 1945 | 2016 | |
| Y. Klartag | A Villa in the Jungle (2017) (P) | Concert music after 1945 | 2017 | |
| P. Kokoras | Asphyxia (2017) | Concert music after 1945 | 2017 | |
| E.W. Korngold | Robin Hood Suite | Symphonic / Concert | ||
| S. Kourliandsky | Punctuation Marks (2008) | Concert music after 1945 | 2008 | |
| S. Kourliandsky | Banlieu (2023) (P) | Concert music after 1945 | 2023 | |
| G. Koumara | Boojums and Bandersnatches (2020) (P) | Concert music after 1945 | 2020 | |
| M. Kranebitter | Le Vertigo (P) | Concert music after 1945 | ||
| J. Kreidler Die “sich sammelnde Erfahrung” (Benn) | der Ton (2012) | Concert music after 1945 | 2012 | |
| M.S. Krüger | Choralvorspiel (2013) (P) | Concert music after 1945 | 2013 | |
| G. Kurtág | 4 songs to poems by J. Pilinszky | Concert music after 1945 | ||
| H. Kyama | Kabuki (2009) | Concert music after 1945 | 2009 | |
| H. Kyama | Lemanesque (2017) (P) | Concert music after 1945 | 2017 | |
| B. Lang | DW 26 The Exhausted (2014) (P) | Concert music after 1945 | 2014 | |
| K. Lang | Ionisches Licht (2020) | Concert music after 1945 | 2020 | |
| M. Lanza | Vesperbild (2007) | Concert music after 1945 | 2007 | |
| M. Lanza | Tutto ciò che è solido si dissolve nell’aria (2015) | Concert music after 1945 | 2015 | |
| R. Lazkano | Egan 2 | Concert music after 1945 | ||
| E. Lee | Map/Satellite Hybrid (2014) (P) | Concert music after 1945 | 2014 | |
| K. Leomo | In Praise of shadows (2020) (P) | Concert music after 1945 | 2020 | |
| G. Ligeti | Kammerkonzert (1969) | Concert music after 1945 | 1969 | |
| M. Liik | Adapt to the prevailing stream and become able to see clearly (2017) (P) | Concert music after 1945 | 2017 | |
| L. Lim | Extinction Events and Awn Chorus (2018) | Concert music after 1945 | 2018 | |
| A. Liu | While Snow... (2022) (P) | Concert music after 1945 | 2022 | |
| T. Lugstein | Echo Chamber Vacuum (2025) (P) | Concert music after 1945 | 2025 | |
| A. Ludwig | entwindend times (2017) | Concert music after 1945 | 2017 | |
| L. Lujàn | ampliación de lo disponible (2015) (P) | Concert music after 1945 | 2015 | |
| J. Malaussena | Concerning articulated sound energy (2016) | Concert music after 1945 | 2016 | |
| B. Máté | Reflections (2013) | Concert music after 1945 | 2013 | |
| A. G.-Martínez | I-O (2014/5) (P) | Concert music after 1945 | 2014 | |
| A. G.-Martínez | Grain (2017) (P) | Concert music after 1945 | 2017 | |
| A. G.-Martínez | A weave of Artifacts (2023) (P) | Concert music after 1945 | 2023 | |
| S. Marty | Lithuanian Rotation 2015 | Concert music after 1945 | 2015 | |
| S. Marty | Discreet (2018) (P) | Concert music after 1945 | 2018 | |
| I. Mitsialis | Jupiter (2020) (P) | Concert music after 1945 | 2020 | |
| E. Moguillansky | Zähmungen (2011) | Concert music after 1945 | 2011 | |
| M. Mochizuki | Chimera (2000) | Concert music after 1945 | 2000 | |
| M. Mochizuki | Voilages (2000) | Concert music after 1945 | 2000 | |
| G. Monducci | Mycelia (2019) | Concert music after 1945 | 2019 | |
| N. Morrish | Projection in real time (2019) (P) | Concert music after 1945 | 2019 | |
| S. Movio | Libro di terra e d’incanti (2019) (P) | Concert music after 1945 | 2019 | |
| T. Murail | De Pays et d’hommes étranges (2018) | Concert music after 1945 | 2018 | |
| S. Nemtsov | “Journal” (2015) | Concert music after 1945 | 2015 | |
| S. Nemtsov | Treppen im Meer | Concert music after 1945 | ||
| G. Netti | due lune più in là | Concert music after 1945 | ||
| M. Nikodijević | musicbox/selbstportrait mit ligeti und strawinsky (und messiaen ist auch dabei) [2001/2003/rev. 2006] | Concert music after 1945 | 2001 | |
| M. Norris | Khoomei Loops (2015) (P) | Concert music after 1945 | 2015 | |
| L. Nono | Polifonica-Monodia-Ritmica | Concert music after 1945 | ||
| A.P. Odegaard | Möörungen (2020) (P) | Concert music after 1945 | 2020 | |
| E. Oña | Alles Nahe werde fern (2001) | Concert music after 1945 | 2001 | |
| C. Panariello | To learn the obscene art of suffering pain (2022) (P) | Concert music after 1945 | 2022 | |
| T. Papatrechas | Imma (2022) (P) | Concert music after 1945 | 2022 | |
| J.L. Perdigon | Ill-Use I (2020) (P) | Concert music after 1945 | 2020 | |
| F. Perocco | Velata (2023) (P) | Concert music after 1945 | 2023 | |
| F. Perocco | Ariosa Calce (2026) (P) | Concert music after 1945 | 2026 | |
| M. Perez - D. | Tangible Absence (2020) (P) | Concert music after 1945 | 2020 | |
| G. Pesson | Cinq Chansons (1999) | Concert music after 1945 | 1999 | |
| G. Pesson | Carmagnole (2015) | Concert music after 1945 | 2015 | |
| I. Petrac | High on (2021) (P) | Concert music after 1945 | 2021 | |
| U. Pompe | fingers of rain [2013/rev. 2016] | Concert music after 1945 | 2013 | |
| A. Posadas | Nebmaat (2003) | Concert music after 1945 | 2003 | |
| C.E. Praderio | focolai | Concert music after 1945 | ||
| C.E. Praderio | Dune (2023) (P) | Concert music after 1945 | 2023 | |
| J. Quislant | materia/imagen (2015) (P) | Concert music after 1945 | 2015 | |
| G. Rendina | rooms (2016) (P) | Concert music after 1945 | 2016 | |
| C. Renhart | miroirs noirs (2016) | Concert music after 1945 | 2016 | |
| C. Renhart | Echos eloquents (2016) (P) | Concert music after 1945 | 2016 | |
| C. Ressi | Il faut cultiver notre jardin, vous savez pas? (2017) (P) | Concert music after 1945 | 2017 | |
| R. Riehm | Hawking (1999) | Concert music after 1945 | 1999 | |
| M. Rivera | In Absentia (2016) (P) | Concert music after 1945 | 2016 | |
| U. Roiko | Neofonia (2021) (P) | Concert music after 1945 | 2021 | |
| U. Roiko | Stone Wind (2015) | Concert music after 1945 | 2015 | |
| L. Romano | time killer (2014/5) (P) | Concert music after 1945 | 2014 | |
| L. Romano | Furore (2016) (P) | Concert music after 1945 | 2016 | |
| L. Romano | Ludovico Machine (2019) (P) | Concert music after 1945 | 2019 | |
| L. Romano | Edible Music (2022) (P) | Concert music after 1945 | 2022 | |
| F. Romitelli | Amok Koma | Concert music after 1945 | ||
| F. Romitelli | Professor Bad Trip, Lesson I (1998) | Concert music after 1945 | 1998 | |
| F. Romitelli | Blood on the floor, painting 1986 | Concert music after 1945 | 1986 | |
| K. Rosenberger | Blur (2019) | Concert music after 1945 | 2019 | |
| V. Rosinskij | Tunnels of the Coliseum (2022) (P) | Concert music after 1945 | 2022 | |
| A. Rouvelas | Still relief (2019) | Concert music after 1945 | 2019 | |
| R. Ryterski | Disco Bloodbath (2018) (P) | Concert music after 1945 | 2018 | |
| K. Saariaho | Aile du Songe (2001) | Concert music after 1945 | 2001 | |
| R. Saunders | Fury (2009) | Concert music after 1945 | 2009 | |
| R. Saunders | Skin (2016) | Concert music after 1945 | 2016 | |
| E. Sayar | None Remain, Everything Ends Here (2025) (P) | Concert music after 1945 | 2025 | |
| B. Scheuer | Nouvelles Agréments (2016) (P) | Concert music after 1945 | 2016 | |
| B. Scheuer | Jammerorgel (2017) | Concert music after 1945 | 2017 | |
| B. Scheuer | Kinetische Konturen (2026) (P) | Concert music after 1945 | 2026 | |
| A. Schubert | Point Ones (2014) | Concert music after 1945 | 2014 | |
| S. Sciarrino | Lo spazio inverso | Concert music after 1945 | ||
| Z. Seglias | The Morning Light… (2012) (P) | Concert music after 1945 | 2012 | |
| Z. Seglias | Noli turbare circulos menos III (2018) (P) | Concert music after 1945 | 2018 | |
| Z. Seglias | Conversations VII (UA) | Concert music after 1945 | ||
| Z. Seglias | madrigali alla luce e al sangue (2021) | Concert music after 1945 | 2021 | |
| A. Seilova | ak marzhan (2016) (P) | Concert music after 1945 | 2016 | |
| A. S.-Molkfakard | Schassussa (2020) (P) | Concert music after 1945 | 2020 | |
| X. Sjuya | In Nomine III (2012) | Concert music after 1945 | 2012 | |
| R. Sharafi | Rolled Up In A Rug (2020) (P) | Concert music after 1945 | 2020 | |
| A. Skordis | Ou Da (2016) (P) | Concert music after 1945 | 2016 | |
| D. Soh | Modicum (2019) | Concert music after 1945 | 2019 | |
| D. Soh | Of little Things (2021)(P) | Concert music after 1945 | 2021 | |
| N. Speda | Aggregatzustände (2021) (P) | Concert music after 1945 | 2021 | |
| J.M. Staud | Terra Pinguis (2018) | Concert music after 1945 | 2018 | |
| J.M. Staud | Oskar (Towards a brighter hue) (2014) | Concert music after 1945 | 2014 | |
| J.M. Staud | Incipit III (2005) | Concert music after 1945 | 2005 | |
| S. Steen-Andersen | amid (2004) | Concert music after 1945 | 2004 | |
| S. Stevanovich | Trilogy (2026) (P) | Concert music after 1945 | 2026 | |
| K. Stockhausen | Kreuzspiel (1951) | Concert music after 1945 | 1951 | |
| L. Streich | Francesca (2021) | Concert music after 1945 | 2021 | |
| E.V. Strøbaek | Beafterthoughts HC afterthoughts | Concert music after 1945 | ||
| J. Tejera | Paysage avec argonautes (2014) (P) | Concert music after 1945 | 2014 | |
| D. Tamame | Thin film interference (2020) (P) | Concert music after 1945 | 2020 | |
| Z. Tan | leaves (2016) (P) | Concert music after 1945 | 2016 | |
| E. Tsukamoto | Avec les œufs (2017) (P) | Concert music after 1945 | 2017 | |
| C. Trapani | Anyplace else (2012) | Concert music after 1945 | 2012 | |
| L. Troiani | Chronicles of the after bomb (2019) (P) | Concert music after 1945 | 2019 | |
| L. Troiani | L’onda diagonale (2026) (P) | Concert music after 1945 | 2026 | |
| C. Tucker | II (2014) (P) | Concert music after 1945 | 2014 | |
| M. Ungureanu S | Peau de Lumière (2014) (P) | Concert music after 1945 | 2014 | |
| M.Urquiza | Ars Memoriae (2019) | Concert music after 1945 | 2019 | |
| J. Vázquez | Kenko (2011) | Concert music after 1945 | 2011 | |
| S. Villalba | Instant factory (2015) (P) | Concert music after 1945 | 2015 | |
| Q. Wang | Yuan -Circles (2020) (P) | Concert music after 1945 | 2020 | |
| Y. Wang | Glissadulation – E04 (2015) | Concert music after 1945 | 2015 | |
| J. Wiedenhofer | Vier Szenen (2025) (P) | Concert music after 1945 | 2025 | |
| I. Xenakis | Anaktoria (1969) | Concert music after 1945 | 1969 | |
| A. Yazdani | Exponential Decay (2019) (P) | Concert music after 1945 | 2019 | |
| T. Yokokawa | Hi Hu Mi (2020) (P) | Concert music after 1945 | 2020 | |
| T. Zhou | Morphing (2020) (P) | Concert music after 1945 | 2020 | |
| A. Zubel | Aphorisms on Milosz (2011) | Concert music after 1945 | 2011 | |
| B. Britten | The turn of the screw | OPERA AND MUSICAL THEATRE | ||
| J.R. Brown | The Last 5 Years | OPERA AND MUSICAL THEATRE | ||
| G. Donizetti | L’Elisir d’Amore | OPERA AND MUSICAL THEATRE | ||
| G. Donizetti | Don Pasquale | OPERA AND MUSICAL THEATRE | ||
| U.Giordano | Andrea Chenier | OPERA AND MUSICAL THEATRE | ||
| E.W. Korngold | Die Toto Stadt | OPERA AND MUSICAL THEATRE | ||
| F. Lehàr | Das Land des Lächelns | OPERA AND MUSICAL THEATRE | ||
| E.W. Korngold | Die tote Stadt | OPERA AND MUSICAL THEATRE | ||
| F. Loewe | Brigadoon | OPERA AND MUSICAL THEATRE | ||
| F. Loewe | My Fair Lady | OPERA AND MUSICAL THEATRE | ||
| A. Menken | Little Shop of Horrors | OPERA AND MUSICAL THEATRE | ||
| W.A. Mozart | Le Nozze di Figaro | OPERA AND MUSICAL THEATRE | ||
| W.A. Mozart | Don Giovanni | OPERA AND MUSICAL THEATRE | ||
| W.A. Mozart | Die Zauberflöte | OPERA AND MUSICAL THEATRE | ||
| O. Nicolai | Die lustigen Weiber von Windsor | OPERA AND MUSICAL THEATRE | ||
| C.Porter | High Society | OPERA AND MUSICAL THEATRE | ||
| G. Puccini | La Bohème | OPERA AND MUSICAL THEATRE | ||
| J. Strauß | Der Zigeunderbaron | OPERA AND MUSICAL THEATRE | ||
| R. Strauss | Ariadne auf Naxos | OPERA AND MUSICAL THEATRE | ||
| P.I. Tschaikowsky | Eugen Onegin | OPERA AND MUSICAL THEATRE | ||
| P.I. Tschaikowsky | Swanlake | OPERA AND MUSICAL THEATRE | ||
| G. Verdi | Otello | OPERA AND MUSICAL THEATRE | ||
| R. Wagner | Tristan und Isolde | OPERA AND MUSICAL THEATRE | ||
| K. Weill | Die Dreigroschenoper | OPERA AND MUSICAL THEATRE | ||
| F. Wildhorn | Jekyll and Hyde | OPERA AND MUSICAL THEATRE | ||
| S. Banihashemi | Vogelgespräche (2016) (P) | contemporary music theatre | 2016 | |
| A. Cservenak | SOLUS (2021) (P) | contemporary music theatre | 2021 | |
| F. Filidei | L’inondation (2019) | contemporary music theatre | 2019 | |
| B. Furrer | Wüstenbuch (excerpts) | contemporary music theatre | ||
| J. Gomez-Alemany | Selig, die wissen..." (2020) (P) | contemporary music theatre | 2020 | |
| H. Kerschbaumer | GAIA (2016) (P) | contemporary music theatre | 2016 | |
| W. Lee | Traumspiel (2013) (P) | contemporary music theatre | 2013 | |
| J.L. Martinez | Rizomas y Madrigueras (2017) (P) | contemporary music theatre | 2017 | |
| J. Quislant | Mirada Antigua (2018) (P) | contemporary music theatre | 2018 | |
| L. Romano | Frammenti dell’attesa (2014) (P) | contemporary music theatre | 2014 | |
| J. Sári | Der Hutmacher (2009) | contemporary music theatre | 2009 | |
| S. Samanli | The Time Regulation Institute (2021) (P) | contemporary music theatre | 2021 | |
| S. Samanli | Alive (2024)(P) | contemporary music theatre | 2024 | |
| S. Sciarrino | Luci mie traditrici (1998) | contemporary music theatre | 1998 | |
| Z. Seglias | Hystera (2014) (P) | contemporary music theatre | 2014 | |
| Z. Seglias | Namphaise (2014) (P) | contemporary music theatre | 2014 | |
| L. Troiani | Antigone (2018) (P) | contemporary music theatre | 2018 | |
| T. Yokokawa | Konjiki Yasha (2018) (P) | contemporary music theatre | 2018 | |
| J. Yoo | 5:58 (2021) (P) | contemporary music theatre | 2021 | |
| Y. Watanabe | Die weiche Mondin (P) | contemporary music theatre | ||
| V. Bellini | Norma | Repertoire as vocal coach | ||
| A. Berg | Wozzeck | Repertoire as vocal coach | ||
| G. Bizet | Carmen | Repertoire as vocal coach | ||
| B. Blacher | Abstrakte Oper Nr.1 | Repertoire as vocal coach | ||
| J.R. Brown | The Last 5 Years (EA) | Repertoire as vocal coach | ||
| F. Cilea | L´Arlesiana | Repertoire as vocal coach | ||
| G. Donizetti | L'elisir d'amore | Repertoire as vocal coach | ||
| G. Donizetti | Don Pasquale | Repertoire as vocal coach | ||
| M. Feldman | Neither | Repertoire as vocal coach | ||
| C.W. Gluck | Iphigenie auf Tauris | Repertoire as vocal coach | ||
| U. Giordano | Andrea Chenier | Repertoire as vocal coach | ||
| H.-W. Henze | Boulevard Solitude | Repertoire as vocal coach | ||
| E. Kálmán | Die Csárdásfürstin | Repertoire as vocal coach | ||
| E. Kálmán | Gräfin Mariza | Repertoire as vocal coach | ||
| E.W. Korngold | Die tote Stadt | Repertoire as vocal coach | ||
| W-C. Lee | Traumspiel (EA) | Repertoire as vocal coach | ||
| F. Lehar | Das Land des Lächelns | Repertoire as vocal coach | ||
| F. Loewe | Brigadoon | Repertoire as vocal coach | ||
| F. Loewe | My Fair Lady | Repertoire as vocal coach | ||
| G.S. Mayr | Il Ritorno di Ulisse | Repertoire as vocal coach | ||
| W.A. Mozart | Die Zauberflöte | Repertoire as vocal coach | ||
| W.A. Mozart | Die Entführung aus dem Serail | Repertoire as vocal coach | ||
| W.A. Mozart | Don Giovanni | Repertoire as vocal coach | ||
| W.A. Mozart | Le Nozze di Figaro | Repertoire as vocal coach | ||
| A. Menken | Little Shop of Horrors | Repertoire as vocal coach | ||
| O. Nicolai | Die lustigen Weiber von Windsor | Repertoire as vocal coach | ||
| S. Odeh-Tamini | Leila und Madschnun (UA) | Repertoire as vocal coach | ||
| J. Offenbach | Hoffmanns Erzählungen | Repertoire as vocal coach | ||
| C. Orff | Prometheus | Repertoire as vocal coach | ||
| A. Piazzolla | Maria de Buenos Aires | Repertoire as vocal coach | ||
| C. Porter | High Society | Repertoire as vocal coach | ||
| G. Puccini | La Bohème | Repertoire as vocal coach | ||
| G. Puccini | Tosca | Repertoire as vocal coach | ||
| G. Puccini | Il Trittico | Repertoire as vocal coach | ||
| G. Puccini | Manon Lescaut | Repertoire as vocal coach | ||
| S. Reich | Tehillim | Repertoire as vocal coach | ||
| N. Rimsky-Korsakov | Der goldene Hahn | Repertoire as vocal coach | ||
| L. Romano | Frammenti dell’attesa (UA) | Repertoire as vocal coach | ||
| G. Rossini | Il Barbiere di Siviglia | Repertoire as vocal coach | ||
| R. Szchedrin | Lolita (EA) | Repertoire as vocal coach | ||
| J. Sàri | Der Hutmacher (UA) | Repertoire as vocal coach | ||
| Z. Seglias | Hystera (UA) | Repertoire as vocal coach | ||
| J. Strauß | Die Fledermaus | Repertoire as vocal coach | ||
| J. Strauß | Der Zigeunerbaron | Repertoire as vocal coach | ||
| R. Strauss | Ariadne auf Naxos | Repertoire as vocal coach | ||
| R. Strauss | Der Rosenkavalier | Repertoire as vocal coach | ||
| P.I. Tschaikowsky | Eugen Onegin | Repertoire as vocal coach | ||
| P. Valtinoni | Pinocchio | Repertoire as vocal coach | ||
| G. Verdi | La Traviata | Repertoire as vocal coach | ||
| G. Verdi | Otello | Repertoire as vocal coach | ||
| G. Verdi | Un Ballo in Maschera | Repertoire as vocal coach | ||
| R. Wagner | Lohengrin | Repertoire as vocal coach | ||
| R. Wagner | Tristan und Isolde | Repertoire as vocal coach | ||
| Y. Watanabe | Die weiche Mondin | Repertoire as vocal coach | ||
| C.M von Weber | Der Freischütz | Repertoire as vocal coach | ||
| K. Weill | Aufstieg und Fall der Stadt Mahagonny | Repertoire as vocal coach | ||
| K. Weill | Die Dreigroschenoper | Repertoire as vocal coach |
| Composer | Work |
|---|---|
| J.L. Bach | Suite G-Dur |
| J.S. Bach | Concerto for Cembalo and Orchestra f-minor BWV 1056 |
| J.C. Bach | SymphonyA-dur |
| L. van Beethoven | 2. piano concerto op.19 |
| L. van Beethoven | 1. Symphony op. 21 |
| L. van Beethoven | 3. Symphony op.55 |
| L. van Beethoven | 4. Symphony op. 60 |
| J.Brahms | double concerto for violin&cello op.102 |
| J.Brahms | 2. piano concerto op. 83 |
| J.Brahms | 1. Symphony op. 68 |
| J.Brahms | 4. Symphony |
| J.Brahms | Schicksalslied op. 54 |
| A. Bruckner | 7.Symphony WAB 107 |
| A. Berg | 4 kleine Stücke für Klarinette und Klavier op.5 (own arrangement for chamber orchestra) |
| A. Berg | Kammerkonzert op.25 |
| A. Casella | La donna serpente, frammenti orchestrali op.50 |
| C. Debussy | Children's Corner (arr. Caplet) |
| A. Dvorak | Serenata for Strings E-Major, op.22 |
| A. Dvorak | Stabat Mater op.58 |
| E.W. Korngold | Robin Hood Suite |
| F. Liszt | Deux Légendes S.175 |
| F. Liszt | Prometheus S.99 |
| G. Mahler | Kindertotenlieder |
| F. Mannino | 9.Symphony |
| P. Mascagni | Suite from „Cavalleria Rusticana“ |
| E. Mayer | Ouverture in D |
| F. Mendelssohn-Bartholdy | Die erste Walpurgisnacht op. 60 |
| F. Mendelssohn-Bartholdy | 4. Symphony "Italian" |
| O. Messiaen | Ascension (1932) |
| W.A. Mozart | piano concerto KV 107 1, 2 |
| W.A. Mozart | piano concerto KV 114 |
| W.A. Mozart | piano concerto KV 482 |
| W.A. Mozart | Symphony g- moll KV 550, |
| W.A. Mozart | Symphony D-dur („Prager“) KV 504 |
| A. Schönberg | Das Buch der hängenden Gärten (own arrangement for small orchestra) |
| A. Schönberg | Drei Stücke für Kammerorchester (1910) |
| F. Schreker | Der Geburtstag der Infantin |
| F. Schubert | Zwischenakts- und Ballettmusik zu „Rosamunde“ D 797 |
| F. Schubert | Symphony Nr. 2 D.125 |
| F. Schubert | Symphony Nr. 3 D 200 |
| F. Schubert | Symphony Nr.4 D 417 |
| F. Schubert | Symphony Nr.7 D 759 |
| R. Schumann | Phantasiy for Violin and Orchestra op.131 |
| R. Schumann | Concerto for Violoncello and Orchestra op.129 |
| R. Schumann | 2. Symphony op.61 |
| I. Stravinsky | Octet (1923) |
| I. Stravinsky | L’histoire du Soldat |
| I. Stravinsky | Le Sacre du Printemps |
| E. Varèse | Octandre |
| A. Webern | Konzert op.24 |
| K. Weill | Lady in the Dark Symphonic Nocturne |
| Composer | Work |
|---|---|
| A. Abbasi faab IV | a femme fatale (2014) |
| A. Abbasi | Distorted Attitudes/Labyrinth (P) |
| A. Abbasi | Situation II / Dialoge |
| O. Adámek | Sinuous Voices [2004/2009/rev. 2017] |
| G. Agostinho | Cartography#8 |
| J. Alemany | La religion del sonido 2016 (P) |
| P. Alessandrini | Ada’s Song |
| P. Alessandrini | Leçons de ténèbres |
| G. Aperghis | la nuit en tete (2000) |
| V. Aranda | Sobre el abismo interior (P) |
| A. Arkushina | Unnatural Selection (P) (2025) |
| L. Azigotti | Floema (2015) (P) |
| L. Azigotti | Ludovico Machine (2016) (P) |
| N. Baba | Bestiarium (2022) |
| Ö. Bapbaci | PulseFraySurface (2025) (P) |
| J. Bailie | Street Souvenir (2014) (P) |
| S. Baiterekov | (Re)incarnation [Umai] (2016) (P) |
| Z. Baldi | Fondali (2019) (P) |
| M. Bang | Palinode (2013) |
| F. Barajas | Una segunda oportunidad (2022) |
| C. Bauckholt | Laufwerk |
| C. Bauckholt | Keil (2000) |
| F. Bedrossian | It (2008) |
| F. Bedrossian | Swing (2009) |
| F. Bedrossian | We met as Sparks (2015) |
| P. Behzad | overwoven (P) (2025) |
| O. Ben Tal | Between the lines |
| P. Berardinelli | Esbatimento negro (2022) (P) |
| C. Bertrand | Madrigal (2005) |
| A. Beste | Incontro concertante (2013) |
| P. Billone | Dyke Wall |
| P. Billone | Face (2016) (P) |
| P. Billone | MAAT ME (2020) (P) |
| I. Blumefield | End of summer - light between you eyes (2022) (P) |
| I. Blumfield | before you were born (2023) (P) |
| G. Bozzola | Mikrochaosmos 2015 (P) |
| G. Bracci | Ritroverai le nubi (2019) (P) |
| E. Canat de Chizy | Over the sea |
| S. Caneva | Dish to Disk, to Dash (2016) (P) |
| S. Caneva | Idoli et Incubi (2019) (P) |
| A.Carretero | Etude d’intesité II (P) |
| A. Carretero | Parallel lives |
| D. Cebic | Sinfonia Concertante (2019) |
| R. Cendo | Graphein |
| B. Champeaux | Clarinet concerto (2025) (P) |
| Y. Chen | Pulsation de la forme naissante (2021) |
| B.E. Chiti | Eserghi (2020) (P) |
| M. Clera | A Cracked Mirror (2018) |
| J. Combier | Notebook of possible time (2026) (P) |
| W. Daugherty | The new normal (2020) |
| F.C. Darras | Soleil Mat (2014) |
| H. Daouk | Chain Reactions (2025) (P) |
| S. De Filippo | A moment exposed (20209 (P) |
| C. Delz | Siegel op. 3 (1976) |
| Denovaire | Lady McBeth (2013) |
| S. Diez-Fischer | Canción del ciego (2013) (P) |
| S. Diez-Fischer | Moving as not moving (2019) |
| S. Dimou | Les Instances (2019) (P) |
| M. Djordjevic | Rdja |
| D. Doganay | Mnemic (2020) (P) |
| D. Doganay | Lullaby(e) (2023) (P) |
| F. Donatoni | Hot (1989) |
| M. Döttlinger | Abyssal Zone Music (2023) (P) |
| R. Dünser | Der Zeiten Spindel (2016) |
| J. V.-Durán | Macondo (2020) (P) |
| A. Edler Copes | Untitled (2011) |
| C. Efthimiou | Medtner (P) |
| H.C. Eren | Revival (“016) (P) |
| D. Fantechi | Day after Wendy (2016) (P) |
| D. Fantechi | Corale su Rothko (2017) (P) |
| M. Feldman | the viola in my life 1 (1972) |
| B. Ferneyhough | La chute d’Icare (1988) |
| F. Filidei | Finito ogni gesto (2010) |
| F. Filidei | Cantico delle Creature (2022) |
| F. Filidei | L'opera (forse) |
| F. Filidei | Stele pour Vierne |
| A.E. Frank | Noise is a common sound (2018) |
| B. Frenklakh | Without Exemptions (2020) (P) |
| A. Fure | Soma |
| B. Furrer | Aria (1999) |
| D. Gagliardi | Principio (2015) (P) |
| P. Galaz | Crosstalk (2023) (P) |
| A. Garcia-Vaquero | Petricor (2021) (P) |
| Z. Gedizliouglu | Jetzt mit meiner linken Hand (2014) |
| Erin Gee mouthpiece | Segment of the 3rd Letter (2007) |
| S. Gervasoni | Godspell (2002) |
| B. González | false papers (2023) (P) |
| M. Goto | Soon to be out of a Coocoon (2016) (P) |
| D. Grela | Ecos de Lejanias (1997) |
| G. Grisey | Talea |
| G. Grisey | Periodes |
| G.F. Haas | Tria ex Uno |
| B.Halperin-Kaddari | Kinky Kings (2014) |
| B.Halperin-Kaddari | Xiddudin (2014) (P) |
| M. Hertig | Vektoren (2016) (P) |
| A. Hölszky | Segmente I (1992) |
| N. A. Huber | Die Leber des Prometheus |
| N. A. Huber | La Force du Vertige |
| C. Ianotta | D’Après (2012) |
| S. Ilchmann | Wenn weiße Lilien (2025) (P) |
| M. Ivicevic | Case Black (2016) |
| J. Jazylbekova | Chiaroscuro II (2016) (P) |
| P. Jodlowski | People/Time (2003/2016) |
| A. Kaiser | Choke (2016) (P) |
| D. Karski | The Unknowable (2022) (P) |
| M. Kerer | Oscillations (2016) |
| H. Kerschbaumer | pedra – debris (2014) (P) |
| H. Kerschbaumer | Kritzung (2018) |
| H. Kerschbaumer | Tektono (2019) (P) |
| H. Kerschbaumer | umfaltet (2023) |
| N. Khorassani | Paper Pigeons (2020) (P) |
| A. Khubeev | memory scars (2019) (P) |
| J. Kim | La Vison de l’Extase (P) |
| S. Kim | Ignition (2014) (P) |
| S. Kim | Sijo _310516 (P) |
| S. Kim | My fake plastic love (2023) (P) |
| H. Kiyama | Lemanesque (2016) (P) |
| Y. Klartag | A Villa in the Jungle (2017) (P) |
| P. Kokoras | Asphyxia (2017) |
| S. Kourliandsky | Punctuation Marks (2008) |
| S. Kourliandsky | Banlieu (2023) (P) |
| G. Koumara | Boojums and Bandersnatches (2020) (P) |
| M. Kranebitter | Le Vertigo (P) |
| J. Kreidler Die “sich sammelnde Erfahrung” (Benn) | der Ton (2012) |
| M.S. Krüger | Choralvorspiel (2013) (P) |
| G. Kurtág | 4 songs to poems by J. Pilinszky |
| H. Kyama | Kabuki (2009) |
| H. Kyama | Lemanesque (2017) (P) |
| B. Lang | DW 26 The Exhausted (2014) (P) |
| K. Lang | Ionisches Licht (2020) |
| M. Lanza | Vesperbild (2007) |
| M. Lanza | Tutto ciò che è solido si dissolve nell’aria (2015) |
| R. Lazkano | Egan 2 |
| E. Lee | Map/Satellite Hybrid (2014) (P) |
| K. Leomo | In Praise of shadows (2020) (P) |
| G. Ligeti | Kammerkonzert (1969) |
| M. Liik | Adapt to the prevailing stream and become able to see clearly (2017) (P) |
| L. Lim | Extinction Events and Awn Chorus (2018) |
| A. Liu | While Snow... (2022) (P) |
| T. Lugstein | Echo Chamber Vacuum (2025) (P) |
| A. Ludwig | entwindend times (2017) |
| L. Lujàn | ampliación de lo disponible (2015) (P) |
| J. Malaussena | Concerning articulated sound energy (2016) |
| B. Máté | Reflections (2013) |
| A. G.-Martínez | I-O (2014/5) (P) |
| A. G.-Martínez | Grain (2017) (P) |
| A. G.-Martínez | A weave of Artifacts (2023) (P) |
| S. Marty | Lithuanian Rotation 2015 |
| S. Marty | Discreet (2018) (P) |
| I. Mitsialis | Jupiter (2020) (P) |
| E. Moguillansky | Zähmungen (2011) |
| M. Mochizuki | Chimera (2000) |
| M. Mochizuki | Voilages (2000) |
| G. Monducci | Mycelia (2019) |
| N. Morrish | Projection in real time (2019) (P) |
| S. Movio | Libro di terra e d’incanti (2019) (P) |
| T. Murail | De Pays et d’hommes étranges (2018) |
| S. Nemtsov | “Journal” (2015) |
| S. Nemtsov | Treppen im Meer |
| G. Netti | due lune più in là |
| M. Nikodijević | musicbox/selbstportrait mit ligeti und strawinsky (und messiaen ist auch dabei) [2001/2003/rev. 2006] |
| M. Norris | Khoomei Loops (2015) (P) |
| L. Nono | Polifonica-Monodia-Ritmica |
| A.P. Odegaard | Möörungen (2020) (P) |
| E. Oña | Alles Nahe werde fern (2001) |
| C. Panariello | To learn the obscene art of suffering pain (2022) (P) |
| T. Papatrechas | Imma (2022) (P) |
| J.L. Perdigon | Ill-Use I (2020) (P) |
| F. Perocco | Velata (2023) (P) |
| F. Perocco | Ariosa Calce (2026) (P) |
| M. Perez - D. | Tangible Absence (2020) (P) |
| G. Pesson | Cinq Chansons (1999) |
| G. Pesson | Carmagnole (2015) |
| I. Petrac | High on (2021) (P) |
| U. Pompe | fingers of rain [2013/rev. 2016] |
| A. Posadas | Nebmaat (2003) |
| C.E. Praderio | focolai |
| C.E. Praderio | Dune (2023) (P) |
| J. Quislant | materia/imagen (2015) (P) |
| G. Rendina | rooms (2016) (P) |
| C. Renhart | miroirs noirs (2016) |
| C. Renhart | Echos eloquents (2016) (P) |
| C. Ressi | Il faut cultiver notre jardin, vous savez pas? (2017) (P) |
| R. Riehm | Hawking (1999) |
| M. Rivera | In Absentia (2016) (P) |
| U. Roiko | Neofonia (2021) (P) |
| U. Roiko | Stone Wind (2015) |
| L. Romano | time killer (2014/5) (P) |
| L. Romano | Furore (2016) (P) |
| L. Romano | Ludovico Machine (2019) (P) |
| L. Romano | Edible Music (2022) (P) |
| F. Romitelli | Amok Koma |
| F. Romitelli | Professor Bad Trip, Lesson I (1998) |
| F. Romitelli | Blood on the floor, painting 1986 |
| K. Rosenberger | Blur (2019) |
| V. Rosinskij | Tunnels of the Coliseum (2022) (P) |
| A. Rouvelas | Still relief (2019) |
| R. Ryterski | Disco Bloodbath (2018) (P) |
| K. Saariaho | Aile du Songe (2001) |
| R. Saunders | Fury (2009) |
| R. Saunders | Skin (2016) |
| E. Sayar | None Remain, Everything Ends Here (2025) (P) |
| B. Scheuer | Nouvelles Agréments (2016) (P) |
| B. Scheuer | Jammerorgel (2017) |
| B. Scheuer | Kinetische Konturen (2026) (P) |
| A. Schubert | Point Ones (2014) |
| S. Sciarrino | Lo spazio inverso |
| Z. Seglias | The Morning Light… (2012) (P) |
| Z. Seglias | Noli turbare circulos menos III (2018) (P) |
| Z. Seglias | Conversations VII (UA) |
| Z. Seglias | madrigali alla luce e al sangue (2021) |
| A. Seilova | ak marzhan (2016) (P) |
| A. S.-Molkfakard | Schassussa (2020) (P) |
| X. Sjuya | In Nomine III (2012) |
| R. Sharafi | Rolled Up In A Rug (2020) (P) |
| A. Skordis | Ou Da (2016) (P) |
| D. Soh | Modicum (2019) |
| D. Soh | Of little Things (2021)(P) |
| N. Speda | Aggregatzustände (2021) (P) |
| J.M. Staud | Terra Pinguis (2018) |
| J.M. Staud | Oskar (Towards a brighter hue) (2014) |
| J.M. Staud | Incipit III (2005) |
| S. Steen-Andersen | amid (2004) |
| S. Stevanovich | Trilogy (2026) (P) |
| K. Stockhausen | Kreuzspiel (1951) |
| L. Streich | Francesca (2021) |
| E.V. Strøbaek | Beafterthoughts HC afterthoughts |
| J. Tejera | Paysage avec argonautes (2014) (P) |
| D. Tamame | Thin film interference (2020) (P) |
| Z. Tan | leaves (2016) (P) |
| E. Tsukamoto | Avec les œufs (2017) (P) |
| C. Trapani | Anyplace else (2012) |
| L. Troiani | Chronicles of the after bomb (2019) (P) |
| L. Troiani | L’onda diagonale (2026) (P) |
| C. Tucker | II (2014) (P) |
| M. Ungureanu S | Peau de Lumière (2014) (P) |
| M.Urquiza | Ars Memoriae (2019) |
| J. Vázquez | Kenko (2011) |
| S. Villalba | Instant factory (2015) (P) |
| Q. Wang | Yuan -Circles (2020) (P) |
| Y. Wang | Glissadulation – E04 (2015) |
| J. Wiedenhofer | Vier Szenen (2025) (P) |
| I. Xenakis | Anaktoria (1969) |
| A. Yazdani | Exponential Decay (2019) (P) |
| T. Yokokawa | Hi Hu Mi (2020) (P) |
| T. Zhou | Morphing (2020) (P) |
| A. Zubel | Aphorisms on Milosz (2011) |
| V. Bellini | Norma | |
|---|---|---|
| A. Berg | Wozzeck | |
| G. Bizet | Carmen | |
| B. Britten | The turn of the screw | |
| J.R. Brown | The Last 5 Years | |
| F. Cilea | L´Arlesiana | |
| G. Donizetti | L’Elisir d’Amore | |
| G. Donizetti | Don Pasquale | |
| U.Giordano | Andrea Chenier | |
| C.W. Gluck | Iphigenie auf Tauris | |
| E. Kálmán | Gräfin Mariza | |
| E. Kálmán | Die Csárdásfürstin | |
| E.W. Korngold | Die Tote Stadt | |
| F. Lehàr | Das Land des Lächelns | |
| F. Loewe | Brigadoon | |
| F. Loewe | My Fair Lady | |
| G.S. Mayr | Il Ritorno di Ulisse | |
| A. Menken | Little Shop of Horrors | |
| W.A. Mozart | Die Entführung aus dem Serail | |
| W.A. Mozart | Le Nozze di Figaro | |
| W.A. Mozart | Don Giovanni | |
| W.A. Mozart | Die Zauberflöte | |
| O. Nicolai | Die lustigen Weiber von Windsor | |
| J. Offenbach | Hoffmanns Erzählungen | |
| C.Porter | High Society | |
| G. Puccini | La Bohème | |
| G. Puccini | Tosca | |
| G. Puccini | Il Trittico | |
| G. Puccini | Manon Lescaut | |
| N. Rimsky-Korsakov | Der goldene Hahn | |
| G. Rossini | Il Barbiere di Siviglia | |
| J. Strauß | Die Fledermaus | |
| J. Strauß | Der Zigeunderbaron | |
| R. Strauss | Ariadne auf Naxos | |
| P.I. Tschaikowsky | Eugen Onegin | |
| P.I. Tschaikowsky | Swanlake | |
| G. Verdi | La Traviata | |
| G. Verdi | Un Ballo in Maschera | |
| G. Verdi | Otello | |
| R. Wagner | Lohengrin | |
| R. Wagner | Tristan und Isolde | |
| C.M von Weber | Der Freischütz | |
| K. Weill | Die Dreigroschenoper | |
| K. Weill | Aufstieg und Fall der Stadt Mahagonny | |
| F. Wildhorn | Jekyll and Hyde |
| S. Banihashemi | Vogelgespräche (2016) (P) | |
|---|---|---|
| B. Blacher | Abstrakte Oper Nr.1 | |
| A. Cservenak | SOLUS (2021) (P) | |
| M. Feldman | Neither | |
| F. Filidei | L’inondation (2019) | |
| B. Furrer | Wüstenbuch (excerpts) | |
| J. Gomez-Alemany | Selig, die wissen..." (2020) (P) | |
| H.-W. Henze | Boulevard Solitude | |
| H. Kerschbaumer | GAIA (2016) (P) | |
| W. Lee | Traumspiel (2013) (P) | |
| J.L. Martinez | Rizomas y Madrigueras (2017) (P) | |
| J. Quislant | Mirada Antigua (2018) (P) | |
| L. Romano | Frammenti dell’attesa (2014) (P) | |
| J. Sári | Der Hutmacher (2009) | |
| S. Samanli | The Time Regulation Institute (2021) (P) | |
| S. Samanli | Alive (2024)(P) | |
| S. Sciarrino | Luci mie traditrici (1998) | |
| Z. Seglias | Hystera (2014) (P) | |
| Z. Seglias | Namphaise (2014) (P) | |
| L. Troiani | Antigone (2018) (P) | |
| T. Yokokawa | Konjiki Yasha (2018) (P) | |
| J. Yoo | 5:58 (2021) (P) | |
| Y. Watanabe | Die weiche Mondin (P) |
Proposal 1
C.P.E. Bach: Symphonie en do Wq 182,3 (11min)
Harrison Birtwhistle: an imaginary landscape (20min)
C.P.E. Bach: Symphonie en si mineur Wq 182/5, (11 min)
————
Robert Schumann: Concert für Violine und Orchester (30 min)
The starting point is Schumann’s Violin Concerto—a work I am obsessed with. The program is unusual yet beautiful in my view: I strongly sense a connection between Schumann and the early ‘Sturm und Drang’ style of C.P.E. Bach—specifically in the formal rupture, the “madness.” Another facet of Schumann links him to the suspended time, darkness, and heaviness found in Birtwistle’s music. The contrasts in the first half are stark – I envision performing the entire first half without a stage change, almost attacca, to bring out the spatial interplay between strings and winds.
Proposal 2
Stefano Gervasoni: Sonata sopra Sancta Maria (9min)
W.A. Mozart: piano concerto nr. 22 (35min)
————
R. Schumann: Symphonie nr. 2 (40 min)
I find that involuntarily Gervasoni’s elaboration of Monteverdi brings together the following two works in a surprising way, as if Mozart’s concerto and Schumann’s symphony stemmed from that seed by Monteverdi, which contains them ‘in nuce’.
It is one of my favourite Mozart concertos and definitely my favourite romantic symphony, an emotional roller coaster.
Proposal 3
Henri Duparc: Invitation au voyage (5min)
Jacques Ibert: Escales – (16min)
Sara Nemtsov: Treppen im Meer (25 min)
————
Debussy: La Mer (30 min)
Evoking images of the sea and sea travel, this program of brilliantly orchestrated pieces highlights colours and virtuosistic playing.
Proposal 4
Salvatore Sciarrino: La morte di Borromini (27min)
Olivier Messiaen: Les offrandes oubliées (13min)
————-
Francesco Filidei: Requiem (33min)
Maurice Ravel: Pavane pour une enfante défunte (7min)
Proposal 5
Hector Berlioz: Romeo et Juliette (1h40min)
Proposal 6
Robert Schumann: Szenen aus Goethes Faust (1h45min)