BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Leonhard Garms - ECPv6.15.17.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://www.leonhardgarms.com
X-WR-CALDESC:Events for Leonhard Garms
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Paris
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20070325T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20071028T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20080330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20081026T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20090329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20091025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20100328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20101031T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20110327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20111030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20120325T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20121028T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20130331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20131027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20140330T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20141026T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20150329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20151025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20160327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20161030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20170326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20171029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20180325T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20181028T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20190331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20191027T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20200329T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20201025T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20210328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20211031T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20221030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20231029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20240331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20241027T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230723T200000
DTEND;TZID=Europe/Paris:20230723T213000
DTSTAMP:20261023T001913
CREATED:20260325T073041Z
LAST-MODIFIED:20260325T073041Z
UID:280-1690142400-1690147800@www.leonhardgarms.com
SUMMARY:Eröffnungskonzert impuls Festival
DESCRIPTION:A festival is by definition a time of celebration\, and there are many things we want to celebrate in the program of the Opening Concert of the 8th Edition of the impuls Festival: on the occasion of his 80th birthday\, we pay homage to Brian Ferneyhough\, and welcome Francesco Filidei and Francesca Verunelli\, who are tutoring at the impuls Academy for the first time. \nCertainly there is\, of course\, the new works: the Austrian premiere of an Ulysses Network commission to Elena Rykova and a new composition by Dmitri Kourliandksi\, created especially for Ensemble Schallfeld to be premiered at impuls 2023; and finally\, we also celebrate Schallfeld’s fifth participation in impuls during the tenth anniversary year of the ensemble. \nThe common thread of this program is the inspiration from extra-musical elements: Whether it is a historical painting (as in “La Chute d’Icare”)\, or the illusion of movement created by static images (as in “Cinemaolio”)\, a poem by Eduardo Sanguineti (in the case of “Finito Ogni Gesto”)\, or places\, lonely inner places in the case of Rykova\, or quite real and quite crowded ones in the case of Kourliandski. Through ekphrasis or synesthesia\, the music always seems to act as a metaphorical space. Therefore\, the score itself lends itself to becoming an abstract place that can be (re)written\, measured\, or “inhabited”. \nPROGRAM\nBrian Ferneyhough La Chute d’Icare\, for mixed Ensemble (1988)* \nDmitri Kourliandski Banlieue\, for flute\, clarinet\, accordion\, violin\, viola\, cello\, double bass\, live-electronics (2023\, world premiere)** \nFrancesco Filidei Finito Ogni Gesto\, for flute\, clarinet\, horn\, percussion\, violin\, cello (2010) \nElena Rykova In the Presence of Absence\, for clarinet\, accordion\, piano\, violin\, cello\, amplification\, electronics (2022\, Austrian premiere) \nFrancesca Verunelli Cinemaolio\, for flute\, clarinet\, piano\, violin\, viola\, cello (2014) \n\n\n—\n\n\n\n\n\nElisa Azzarà flutes | \nSzilárd Benes clarinet* | \nPéter Szűcs clarinets | \nHelene Kenyeri oboe | \nPetrean Radu horn | \nMirko Jevtović accordion | \nManuel Alcaraz Clemente percussion | \nPatrick Skrilecz piano | \nLorenzo Derinni violin | \nPaolo Fumagalli viola | \nMyriam García Fidalgo cello | \nFrantišek Výrostko double bass \nDavide Gagliardi sound design\, live electronics \nDmitri Kourliandski live-lectronics** \nLeonhard Garms conductor
URL:https://www.leonhardgarms.com/event/eroffnungskonzert-impuls-festival/
LOCATION:Ligeti Saal\, Lichtenfelsgasse 14\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230526T200000
DTEND;TZID=Europe/Paris:20230526T210000
DTSTAMP:20261023T001913
CREATED:20260325T073940Z
LAST-MODIFIED:20260331T075433Z
UID:286-1685131200-1685134800@www.leonhardgarms.com
SUMMARY:Filidei/Pommerat: L'Inondation - Grand Theatre du Luxembourg
DESCRIPTION:Grand Théâtre du Luxembourg \nOrchestre de Chambre du Luxembourg \nWriter-director Joël Pommerat contributes his first ever libretto to this family tragedy in two acts\, based on a 1929 short story by Evgueni Zamiatine. The fate of a childless couple who take in an orphan is played out on a multi-storey set: one flat above another\, where similar lives are led. Filidei and Pommerat (also responsible for staging) collaborated closely to create this contemporary vision of outer ordinariness that belies the inner turmoil. Under Leonhard Garms\, the Orchestre de Chambre du Luxembourg deliver a haunting score by Francesco Filidei. \nhttps://www.google.com/url?sa=t&source=web&rct=j&opi=89978449&url=https://www.wort.lu/kultur/hochwasser-und-harte-konflikte-im-grand-theatre/1527594.html&ved=2ahUKEwjqieOMzeyRAxVS8LsIHZFoC1wQFnoECBsQAQ&usg=AOvVaw1AL8XTbSCueTXv1PWaWgbH
URL:https://www.leonhardgarms.com/event/filidei-pommerat-linondation/
LOCATION:Grand Théâtre\, Luxembourg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230502T000000
DTEND;TZID=Europe/Paris:20230502T000000
DTSTAMP:20261023T001913
CREATED:20260325T073700Z
LAST-MODIFIED:20260325T073700Z
UID:284-1682985600-1682985600@www.leonhardgarms.com
SUMMARY:Saison Konzert II: Spuren
DESCRIPTION:Eduardo Moguillansky  – Zähmungen #2 Bogenwechsel (2011-2014) \nLisa Streich – Francesca (2016-2019) Austrian premiere \nPablo Galaz – Crosstalk (2023) World Premiere* \nFilippo Perocco – Velata (2023) World Premiere \n\n*Commissioned by Schallfeld Ensemble\, funded by the  \n  \n\n\nSchallfeld Ensemble\nLeonhard Garms – conductor
URL:https://www.leonhardgarms.com/event/saison-konzert-ii-spuren/
LOCATION:Schaumbad – Freies Atelierhaus Graz\, Puchstraße 41\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/portadafb-1536x864-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230227T000000
DTEND;TZID=Europe/Paris:20230305T000000
DTSTAMP:20261023T001913
CREATED:20260325T074536Z
LAST-MODIFIED:20260331T075356Z
UID:290-1677456000-1677974400@www.leonhardgarms.com
SUMMARY:L'inondation - Opéra Comique Paris
DESCRIPTION:Francesco Filidei | Joël Pommerat \nA childless couple adopts an orphan girl. The teenager unexpectedly whisks her way into their home and their hearts. \nHusband and wife hardly speak to each other. Silence\, torn apart by the laughter of neighbouring families\, has become unbearable. Overwhelmed with a strong feeling of guilt\, the woman has built herself an inner world that becomes disrupted as the end of winter sees the river’s waters rise. \nBack in 2019\, at the invitation of the Opéra Comique\, Joël Pommerat wrote his first libretto\, adapting a short story by Zamiatine originally published in 1929.\nThe stage writer continuously shared the development of the speech and timing of the scenes with composer Francesco Filidei who was conceiving his second opera for the occasion. Their close collaboration\, their tandem in collusion with the musicians and singers\, gave birth to an operatic creation of a new verve\, capable of expressing the muffled density of the soul. \nThis memorable score of sounds and images staged by Joël Pommerat returns to the Opéra Comique\, with Leonard Garms conducting the intense and vibrant performers. \nOpera in two acts based on the eponymous text written by Evgueni Zamiatine. Created at the Opéra Comique in 2019. \nMusical direction\, Leonhard Garms • Stage direction\, Joël Pommerat • Artistic collaboration Valérie Nègre • With Chloé Briot\, Jean-Christophe Lanièce\, Norma Nahoun\, Pauline Hurietcyr\, Enguerrand de Hys\, Victoire Bunel\, Guilhem Terrail\, Tomislav Lavoie\, la Maîtrise Populaire de l’Opéra Comique • Orchestra de Chambre du Luxembourg \nhttps://operawire.com/opera-comique-2023-review-linondation-filidei/ \n https://www.facebook.com/TheatreDeLOperaComique/videos/1195827617706549/
URL:https://www.leonhardgarms.com/event/linondation/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20221109T200000
DTEND;TZID=Europe/Paris:20221109T210000
DTSTAMP:20261023T001913
CREATED:20260325T074805Z
LAST-MODIFIED:20260325T074805Z
UID:292-1668024000-1668027600@www.leonhardgarms.com
SUMMARY:The new normal
DESCRIPTION:Programm\nWilliam Dougherty The new normal \nMilica Djordjevic Rdja \nClaudio Panariello To Learn the Obscene Art of Suffering Pain \nEnsemble Kompositionsauftrag des Schallfeld Ensembles im Rahmen des StAiR (Styrian artist in residence) Programmes 2022 des Landes Steiermark \nMisato Mochizuki Chimera \n  \nAt the end of 2021\, when we conceived our 2022 season\, we wanted to focus on an optimistic (but still critical) reflection about the consequences of two years of pandemic in our lives and in the way we experience music together. \nSince February 2022\, the war and many other changes in the world gave a new and unexpected turn to the topics we choose for our concerts (Debris\, Nahe). \nIn our mind\, “The New Normal” stays probably  more close to its original meaning of a reunion to urgent socio-political and existential topics that we might have forgotten or recontextualized during the pandemic as in the last months. \nThe piece “the new normal” by William Daugherty reminds us about social inequality (on a world scale as in his own country\, the USA)\, choosing a direct impact to the audience – however filtered through a calibrated work of collage from ethnomusicological material\, ancient music quotations and other samples. \nMoving from apparently objective scientific phenomena (oxidation and hybridation)\, the works by Milica Djordjevic and Misato Mochizuki bring us respectively to our “rusty”\,  jammed aptitude in the expression of  feelings as to alienating and extraneous processes of transformation. \nClaudio Panariello’s work (Styrian artist in residency 2022) mediates between the innest existential reflection about the experience of pain and its possible narrativity in our society\, which seem to mirror in the “impossible” antiphonal dialogue between a (human) instrumental ensemble and its analogic Doppelgänger – a feedback system driven by piezos microphones and loudspeakers.
URL:https://www.leonhardgarms.com/event/the-new-normal/
LOCATION:Next Liberty\, Kaiser-Josef-Platz 10\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20221105T000000
DTEND;TZID=Europe/Paris:20221105T000000
DTSTAMP:20261023T001913
CREATED:20260325T075334Z
LAST-MODIFIED:20260331T075524Z
UID:296-1667606400-1667606400@www.leonhardgarms.com
SUMMARY:texte & töne - Symphonieorchester Vorarlberg
DESCRIPTION:Kaija Saariaho\nAile du songe · for flute and chamber orchestra\n\n\n\n\n\nWladimir Rosinskij\nTunnels of Colliseum-2\, Concerto grosso (commissioned work of the SOV)\n\n\n\n\n\nKlaus Lang\nionic light\n\n\nWladimir Rosinskij – composer \n\n\n\n\n\nLeonhard Garms – Conductor\n\n\n\n\n\nAlessandro Baticci – flute \nhttps://www.kulturzeitschrift.at/kritiken/musik-konzert/viel-musik-auf-kleinem-raum-das-symphonieorchester-vorarlberg-und-der-grosse-publikumszuspruch-sprengten-bei-texte-und-toene-beinahe-den-rahmen
URL:https://www.leonhardgarms.com/event/texte-tone/
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/sov-2023texteundtoeneklein.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220525T200000
DTEND;TZID=Europe/Paris:20220525T210000
DTSTAMP:20261023T001913
CREATED:20260325T075535Z
LAST-MODIFIED:20260325T075535Z
UID:299-1653508800-1653512400@www.leonhardgarms.com
SUMMARY:Nahe
DESCRIPTION:Pedro Berardinelli – Esbatimento negro (UA\, Kompositionsauftrag von Schallfeld Ensemble mit Unterstützung der SKE Kompositionsförderung) \nErik Oña – Alles Nahe werde fern \nGerard Pesson\, Carmagnole \nWojtek Blecharz\, Small Talks \nEsaias Järnegard\, Y \nDas zweite Saisonkonzert von Schallfeld lädt dazu ein\, über das Thema Nähe nachzudenken und wie sich unser Verhältnis dazu in den letzten Jahren verändert hat.\nTauchen Sie mit uns ein in verschiedene Nahe-Fern-Beziehungen: tonale Nähe spiegelt sich im Bezug von Tönen zueinander\, etwa in der mikrotonalen Fragilität Erik Oñas und den Schwebungen Esaias Järnegards; sinnliche Nähe und das Annähern von Sehen und Hören gibt es zu erleben in Esbatimento negro\, (“schwarze Unschärfe”) des jungen in Wien lebenden Komponisten Pedro Berardinelli. Die Ferne zur Vergangenheit\, die sich ebenfalls durch EInfühlung in Nähe verwandeln lässt\, spiegelt sich in Gérard Pessons Bezügen auf Alte Musik (Gerard Pesson\, Carmagnole)\, während wir die Nähe zu den unscheinbaren Gesten und Routinen des Alltags oft nur wahrnehmen\, wenn sie jemand so kunstvoll heraushebt wie Wojtek Blecharz in seinem Stück Small Talk. Vergessen Sie mit uns die innere und äußere Distanzierung der Pandemie und lassen Sie sich ein auf einen Konzertabend\, in dem uns Musik gefahrlos “nahe” gehen kann.
URL:https://www.leonhardgarms.com/event/nahe/
LOCATION:Maria Cäsar Saal\, Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20220323T200000
DTEND;TZID=Europe/Paris:20220323T220000
DTSTAMP:20261023T001913
CREATED:20260331T082352Z
LAST-MODIFIED:20260331T082352Z
UID:357-1648065600-1648072800@www.leonhardgarms.com
SUMMARY:Liza Lim: Extinction Events and Dawn Chorus
DESCRIPTION:Philharmonie Berlin\, Chamber Music Hall \nKlangforum Wien and ONCEIM play works by Éliane Radigue\, Liza Lim\, Patricia Bosshard \n\nProgramme \n\n\nPatricia Bosshard\nSillons (2018)\nfor 27 improvising musicians \nONCEIM – Orchestre de Nouvelles Créations\, Expérimentations et Improvisations Musicales\nFrédéric Blondy – artistic director \nÉliane Radigue\nOccam Océan (2015)\nfor orchestra \nKlangforum Wien\nONCEIM – Orchestre de Nouvelles Créations\, Expérimentations et Improvisations Musicales \n\n\nCast\nLiza Lim\, Extinction Events and Dawn Chorus (2018):\nKlangforum Wien\nLeonhard Garms – conductor\nSarah Saviet – violin\nVera Fischer – flute and piccolo\nMarkus Deuter – oboe\nOlivier Vivarès – clarinet\nLorelei Dowling – bassoon\nChristoph Walder – horn\nAnders Nyqvist – trumpet\nMikael Rudolfsson – trombone\nBenedikt Leitner – violoncello\nJavad Javadzade – double bass\nLukas Schiske – percussion\nFlorian Müller – piano \nPatricia Bosshard\, Sillons (2018):\nONCEIM – Orchestre de Nouvelles Créations\, Expérimentations et Improvisations Musicales\nFrédéric Blondy – artistic director\nXavier Charles\, Jean Dousteyssier\, Juliette Adam – clarinet\nVianney Desplantes – euphonium\nBenjamin Duboc\, Sebastien Béliah\, Frédéric Marty – double bass\nJean-Sébastien Mariage\, Giani Caserotto – guitar\nPierre-Antoine Badaroux\, Carmen Lefrançois – alto saxophone\nBenjamin Dousteyssier – baritone saxophone\nPatricia Bosshard – violin\nAntonin Gerbal – percussion\nAlvise Sinivia – piano\nDiemo Schwarz – electronics: computer (max/msp)\nLouis Laurain – trumpet\nAnaïs Moreau\, Deborah Walker – cello\nAlexis Persigan – trombone\nStéphane Rives – soprano saxophone\nJulia Robert\, Elodie Gaudet – viola\nSilke Lange\, Pierre Cussac – accordion\nBertrand Denzler – tenor saxophone \nÉliane Radigue\,Occam Océan (2015):\nONCEIM – Orchestre de Nouvelles Créations\, Expérimentations et Improvisations Musicales:\nXavier Charles\, Jean Dousteyssier\, Julien Pontvianne\,\nSamuel Dunscombe – clarinet\nJuliette Adam – bass clarinet\nVianney Desplantes – euphonium\nRobin Hayward – microtonal tuba\nBenjamin Duboc\, Sebastien Béliah\, Frédéric Marty\,\nAlexander Frangenheim – double bass\nJean-Sébastien Mariage\, Giani Caserotto\, Benjamin Garson\,\nRichard Comte – guitar\nPierre-Antoine Badaroux\, Benjamin Dousteyssier\,\nCarmen Lefrançois – alto saxophone\nPatricia Bosshard – violin\nAntonin Gerbal\, Alvise Sinivia\, Diemo Schwarz – percussion\nLouis Laurain – trumpet\nAnaïs Moreau\, Deborah Walker – violoncello\nAlexis Persigan – trombone\nStéphane Rives – soprano saxophone\nJulia Robert\, Elodie Gaudet – viola\nSilke Lange\, Pierre Cussac – accordion\nBertrand Denzler – tenor saxophone \nKlangforum Wien:\nLeonhard Garms conductor\nOlivier Vivarès – clarinet\nChristoph Walder – horn\nAnders Nyqvist – trumpet\nMikael Rudolfsson – trombone\nBenedikt Leitner – violoncello\nJavad Javadzade – double bass\nKrassimir Sterev – accordion\nLukas Schiske – percussion
URL:https://www.leonhardgarms.com/event/liza-lim-extinction-events-and-dawn-chorus/
LOCATION:Philharmonie Berlin\, Chamber Music Hall\, Herbert-von-Karajan-Straße 1\, Berlin\, Germany
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20211112T200000
DTEND;TZID=Europe/Paris:20211112T213000
DTSTAMP:20261023T001913
CREATED:20260331T082906Z
LAST-MODIFIED:20260331T082906Z
UID:360-1636747200-1636752600@www.leonhardgarms.com
SUMMARY:Ljubljana New Music Forum
DESCRIPTION:Iannis Xenakis: Anaktoria [1969] \nUroš Rojko: Neofonía [2016\, rev. 2021] \nRolf Riehm: Hawking [1999]\n \n  \n  \nMagdalena Cerezo Falces\nNew Music Forum Ensemble\nLeonhard Garms (conductor)
URL:https://www.leonhardgarms.com/event/ljubljana-new-music-forum/
LOCATION:Slovenian Philharmonic Hall\, Kongresni trg 10\, Ljubljana\, Slovenia
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20211106
DTEND;VALUE=DATE:20211107
DTSTAMP:20261023T001913
CREATED:20260331T083220Z
LAST-MODIFIED:20260331T083220Z
UID:363-1636156800-1636243199@www.leonhardgarms.com
SUMMARY:Symphonieorchester Vorarlberg - Texte und Töne
DESCRIPTION:Nemtsov\, Murail\, Gruchmann
URL:https://www.leonhardgarms.com/event/symphonieorchester-vorarlberg-texte-und-tone/
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/sov-texteundtoene_0.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20210617T200000
DTEND;TZID=Europe/Paris:20210617T210000
DTSTAMP:20261023T001913
CREATED:20260331T083717Z
LAST-MODIFIED:20260331T083717Z
UID:366-1623960000-1623963600@www.leonhardgarms.com
SUMMARY:Ariadne – ManiFeste Festival
DESCRIPTION:For its first appearance at ManiFeste\, the Austrian ensemble Schallfeld has chosen to focus on the adventure of the young Italian composer Maurizio Azzan\, who set out on the traces of Ariadne. She who helped Theseus to destroy the Minotaur\, embodies sleeping beauty\, abandonment and solitude on her island\, perplexity and doubt\, all mythological and contemporary attributes. An intimate voice diffracted in the audience\, the non-linear narration conceived by librettist Daniele Bellomi\, Ariadne embodies wandering more than a marked path. From Ariadne to Beat Furrer’s Aria\, a family history emerges that explores dramaturgy in space and the constant ambiguity between instrumental and vocal. Between these two universes\, the young composer Rachel Beja experiments with a new kind of music: strings\, electronics\, and the beating of a Daf\, a large drum from the Persian tradition. \nAnna Piroli soprano\nEnsemble Schallfeld\nLeonhard Garms conductor\nÉtienne Démoulin IRCAM computer-music design \n  \nMaurizio Azzan Ariadne – French premiere\nRachel Beja Frammenti di memoria abolita – premiere 2021\ncommissiond by IRCAM-Centre Pompidou and the Divertimento ensemble with the support of the ULYSSES network\, supported by the European Union’s Creative Europe program\nBeat Furrer Aria
URL:https://www.leonhardgarms.com/event/ariadne-manifeste-festival/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210510
DTEND;VALUE=DATE:20210511
DTSTAMP:20261023T001913
CREATED:20260331T083956Z
LAST-MODIFIED:20260331T083956Z
UID:368-1620604800-1620691199@www.leonhardgarms.com
SUMMARY:Ensems Festival Valencia
DESCRIPTION:MAAT – ME (2020) Pierluigi Billone (1960) 30′ Premiere \nCommissioned by Schallfeld\, funded by the Ernst von Siemens Music Foundation \nFIGURE / ICONOSONICS 1 (2009) Clemens Gadenstätter (1966) 30′
URL:https://www.leonhardgarms.com/event/ensems-festival-valencia/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210409
DTEND;VALUE=DATE:20210410
DTSTAMP:20261023T001913
CREATED:20260331T084408Z
LAST-MODIFIED:20260331T084408Z
UID:370-1617926400-1618012799@www.leonhardgarms.com
SUMMARY:Ljubljana New Music Forum
DESCRIPTION:Steen Andersen\, Nikodijević\, Pompe\, Adámek \nProgram: \nThierry De Mey\nSilence Must Be! [2002]\nSimon Steen Andersen\nAmid [2004]\nMarko Nikodijević\nmusicbox/selbstportrait mit ligeti\nund strawinsky (und messiaen ist auch dabei) [2001/2003/rev. 2006]\nUrška Pompe\nfingers of rain [2013/rev. 2016]\nOndřej Adámek\nSinuous Voices [2004/2009/rev. 2017] \nJan Čibej\, Neofonía\, Leonhard Garms (conductor) \n \nVideo: https://youtu.be/exUbZ8MYDUQ \n 
URL:https://www.leonhardgarms.com/event/ljubljana-new-music-forum-2/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201027
DTEND;VALUE=DATE:20201028
DTSTAMP:20261023T001913
CREATED:20260331T084703Z
LAST-MODIFIED:20260331T084703Z
UID:372-1603756800-1603843199@www.leonhardgarms.com
SUMMARY:TREQUANDA
DESCRIPTION:Ballett by Veronika Riz on music by Johannes M.Staud \n  \nOrchestra Haydn di Bolzano
URL:https://www.leonhardgarms.com/event/trequanda/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20200312T200000
DTEND;TZID=Europe/Paris:20200312T220000
DTSTAMP:20261023T001913
CREATED:20260331T084930Z
LAST-MODIFIED:20260331T085132Z
UID:374-1584043200-1584050400@www.leonhardgarms.com
SUMMARY:Swing It
DESCRIPTION:F. Bedrossian\, C. Iannotta\, M. Lanza \n\nProgram\nFranck Bedrossian – Swing \nFranck Bedrossian – We met as Sparks \nFranck Bedrossian – It \nClara Iannotta – D’après \nMauro Lanza – Tutto ciò che è solido si dissolve nell’aria
URL:https://www.leonhardgarms.com/event/swing-it/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200115
DTEND;VALUE=DATE:20200203
DTSTAMP:20261023T001913
CREATED:20260331T090525Z
LAST-MODIFIED:20260331T090525Z
UID:381-1579046400-1580687999@www.leonhardgarms.com
SUMMARY:Filidei/Pommerat: L'Inondation
DESCRIPTION:Orchestre Nationale de la Bretagne \nopéra de Rennes & opéra de Nantes/Angers  \n\n\nParce qu’ils ne peuvent pas avoir d’enfant\, deux époux finissent par adopter une orpheline. L’adolescente se fait une place imprévue dans leur foyer et dans leurs cœurs. Un drame se noue dans ce huis-clos familial d’une intensité saisissante.\n\n\nPrésentation\n\n\nDans ce faubourg de Saint-Pétersbourg\, la parole entre les époux s’est raréfiée et les silences deviennent pesants. Le monde que la femme s’est construit pour surmonter la tristesse de sa vie affective va se dérégler tandis qu’en cette fin d’hiver montent les eaux du fleuve. \nAvec ce projet\, le dramaturge Joël Pommerat écrit pour la première fois un livret d’opéra\, à partir de cette nouvelle d’Evgueni Zamiatine publiée en 1929. Il partage avec le compositeur Francesco Filidei\, figure montante de la musique contemporaine dont c’est le deuxième opéra\, l’élaboration de cette création. \nLeur partition est mise en scène par Joël Pommerat lui-même et dirigée par Leonhard Garms à la tête de chanteurs-acteurs intenses et habités\, accompagnés par l’Orchestre Symphonique de Bretagne. \nCRÉATION MONDIALE Commande de l’Opéra Comique créée au mois de septembre 2019\, ce spectacle est l’un des rendez-vous les plus attendus de la scène musicale française et européenne. \n\n\n\n  \n\nRennes – Opéra de Rennes \n\nWednesday\, January 15\, 2020 – 8:00 PM\nThursday\, January 16\, 2020 – 8:00 PM\nSaturday\, January 18\, 2020 – 6:00 PM\n\nNantes – Théâtre Graslin (Tour) \n\nWednesday\, January 29\, 2020 – 8:00 PM\nThursday\, January 30\, 2020 – 8:00 PM\nSaturday\, February 1\, 2020 – 6:00 PM\nSunday\, February 2\, 2020 – 4:00 PM
URL:https://www.leonhardgarms.com/event/filidei-pommerat-linondation-2/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20191103T193000
DTEND;TZID=Europe/Paris:20191103T210000
DTSTAMP:20261023T001913
CREATED:20260331T090929Z
LAST-MODIFIED:20260331T090929Z
UID:383-1572809400-1572814800@www.leonhardgarms.com
SUMMARY:Wien Modern
DESCRIPTION:Cathy van Eck\, Diana Soh\, Lorenzo Troiani\,  Sylvain Marty\, Hannes Kerschbaumer\n\n  \n\n\nPROGRAMM\n\n\nCathy van Eck: Stumme Diener (2011) – Performance für Musiker und Notenständer \nDiana Soh: Modicum (2019) EA \nLorenzo Troiani: La fine è senza fine (2017) \nSylvain Marty: Discreet for ensemble \nHannes Kerschbaumer: Neues Stück* UA \n*Kompositionsauftrag von Wien Modern und Schallfeld Ensemble\, gefördert von der Ernst von Siemens Musikstiftung. \n\n  \nKuratiert vom Schallfeld Ensemble | Produktion Wien Modern | Koproduktion Schallfeld Ensemble mit freundlicher Unterstützung von Pro Helvetia Schweizer Kulturstiftung
URL:https://www.leonhardgarms.com/event/wien-modern/
LOCATION:Wiener Konzerthaus\, Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190319
DTEND;VALUE=DATE:20190320
DTSTAMP:20261023T001913
CREATED:20260331T092014Z
LAST-MODIFIED:20260331T092027Z
UID:386-1552953600-1553039999@www.leonhardgarms.com
SUMMARY:Remixing a clockwork orange
DESCRIPTION:Stanley Kubrick’s cinema classic A Clockwork Orange did not only become famous for its intense imagery\, but also for its sophisticated soundtrack by Wendy Carlos. Re-interpretating music by Beethoven\, Rossini and Purcell on her Moog Synthesizer\, Carlos succeeds in opening up a new aesthetical dimension to these well-known pieces. \nAt the Darmstädter Ferienkurse 2016\, Schallfeld initiated a project focused on the question how a transcription of this transcription could sound today\, almost half a century after the film’s original release. In a broader sense\, this encompassed also questions about the relation between tradition and (technical) innovation\, repertoire works and new creations\, between sound and the moving image. \nThe second iteration of “Remixing a Clockwork Orange” takes one further step into the film’s world: while maintaining the idea of a “remix”\, we also zoom into the main thematic aspects of the film’s plot. The entaglement of guilt and redemption as a timeless phenomenon will be woven into a set of new pieces commisioned to five composers whose work is strongly connected to the idea of remix and visual arts: Jorge Sánchez-Chiong*\, Zeno Baldi*\, Lorenzo Romano* and Michelle Agnes Magalhaes* \nProgram\nSalvatore Sciarrino – Anamorfosi\, für Klavier (1980)\n\nJorge Sánchez-Chiong – TURN IT OFF! für Ensemble (2019)*\nMikołaj Laskowski – At the Opening of A Clockwork Orange\, 1995 VHS\, für Ensemble (2016)\nZeno Baldi – Fondali\, für 8 Instrumente und Elektronik (2019)*\nMichelle Agnes Magalhaes – Orange: William tells for cello\, double bass and audioweb devices (2019)*\nLorenzo Romano – Ludovico Technique\, für Ensemble und live-Elektronik *\n\n*Pieces commissioned thanks to the support of the Ernst von Siemens Musikstiftung.
URL:https://www.leonhardgarms.com/event/remixing-a-clockwork-orange/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181102
DTEND;VALUE=DATE:20181103
DTSTAMP:20261023T001913
CREATED:20260331T131610Z
LAST-MODIFIED:20260331T131610Z
UID:412-1541116800-1541203199@www.leonhardgarms.com
SUMMARY:Namphaise
DESCRIPTION:NAMPHAISE is a concert installation inspired by the rather unknown legend of St. Namphaise: a medieval saint seeks liberation from earthly contamination but is again and again confronted with the dark\, animal sides of human existence\, even beyond his death.\nEnsemble Schallfeld transforms this myth into a room of experience\, in which sound\, image and light offer as many interpretations as the people who enter it. \nZesses Seglias\, composer \nLeonhard Garms\, concept \nDavide Gagliardi \, electronics/ sound \nPatrik Lechner \, video & light \nEnsemble Schallfeld \nFirst performance: 2.11.2018\, 20.30h\, Dom im Berg\, Graz.\n 
URL:https://www.leonhardgarms.com/event/namphaise/
LOCATION:Dom im Berg\, Schlossbergplatz 1\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180926
DTEND;VALUE=DATE:20180927
DTSTAMP:20261023T001913
CREATED:20260331T132203Z
LAST-MODIFIED:20260331T132203Z
UID:415-1537920000-1538006399@www.leonhardgarms.com
SUMMARY:WARSAW AUTUM
DESCRIPTION:Rykova\, Kiyama\, Laskowski\, Ryterski \nThe Blackpage Orchestra \n  \nProgram: \n·Elena Rykova\, 101% mind uploading \n·Hikari Kiyama\, Kabuki \n·Mikolaj Laskowski\, Oh\, to Rub the Waxy Buddah \n·Matthias Kranebitter\, Konzert für die unsichtbare Hand (nach Adam Smith) \n·Martin Schüttler\, Schöner Leben (Girl You Know Its True\, M.V.) \n·Rafal Ryterski\, Disco Bloodbath (UA) \n·Peter Ablinger\, Black Series \n​
URL:https://www.leonhardgarms.com/event/warsaw-autum/
LOCATION:Witold Lutoslawski Hall Polish Radio
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20180623T080000
DTEND;TZID=Europe/Paris:20180623T170000
DTSTAMP:20261023T001913
CREATED:20260331T092301Z
LAST-MODIFIED:20260331T092301Z
UID:388-1529740800-1529773200@www.leonhardgarms.com
SUMMARY:De / Montage
DESCRIPTION:Music by B. Ferneyhough\, F.  Verunelli\, R. Barrett and J. Malaussena \n  \nActor: Florian Köhler \nSchallfeld Ensemble \nMore info
URL:https://www.leonhardgarms.com/event/de-montage/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180224
DTEND;VALUE=DATE:20180225
DTSTAMP:20261023T001913
CREATED:20260331T123935Z
LAST-MODIFIED:20260331T123935Z
UID:403-1519430400-1519516799@www.leonhardgarms.com
SUMMARY:Gaia
DESCRIPTION:Musica di Hannes Kerschbaumer su testi di Gina Mattiello \nOrchestra Haydn Bolzano \nTeatro comunale Bolzano / Fondazione Haydn \nTeatro Comunale\, Teatro Studio – Stagione 2017/18\nGAIA\nProgetto vincitore Oper.A 20.21 Fringe\nLibretto tratto da testi di Gina Mattiello e Raoul Schrott\nErste Erde. Epos e Die Wüste Lop Nor. Novelle\nMusica di Hannes Kerschbaumer\nPrima assoluta \nPerformer vocale Gina Mattiello\nDanzatore Hygin Delimat \nOrchestra Haydn di Bolzano e Trento\nDirettore Leonhard Garms\nRegia Hannes Kerschbaumer\, Federico Campana\, Gina Mattiello\nRegia del suono e del video Federico Campana\nScene e costumi Natascha Maraval\nLuci Luca de Martini di Valleaperta\nCoreografia Hygin Delimat\nSculture Aron Demetz\nProduzione\, Fondazione Haydn \npress: https://storage.e.jimdo.com/file/53250cff-fe9e-4841-8398-4b0d7f3f401f/Tiroler TageszeitungGaia.pdf\nhttps://www.connessiallopera.it/recensioni/2018/bolzano-teatro-comunale-gaia/
URL:https://www.leonhardgarms.com/event/gaia/
LOCATION:Teatro comunale Bolzano\, Bolzano\, Italy
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170423
DTEND;VALUE=DATE:20170424
DTSTAMP:20261023T001913
CREATED:20260331T124957Z
LAST-MODIFIED:20260331T124957Z
UID:406-1492905600-1492991999@www.leonhardgarms.com
SUMMARY:Klangforum Wien - Hölszky/Kurtág
DESCRIPTION:Programm: \n\n\n\n\n\n\n· Armin Thurnher: Laudatio\n· György Ligeti: Zehn Stücke für Bläserquintett (1968)\n· György Kurtág: Hommage a Mihály András. Zwölf Mikroludien op. 13 für Streichquartett (1977–1978)\, \n\nVier Lieder auf Gedichte von János Pilinszky op. 11 (1973–1975) \n·Adriana Hölszky: Segmente I (1992) (EA) \n· Henryk Mikołaj Górecki: Muzyczka IV »Musiquette IV« op. 28 »Posaunenkonzert« für Posaune\, Klarinette\, Violoncello und Klavier (1970) \n\n\n· Galina Ustwolskaja: Komposition Nr. 1 »Dona nobis pacem« (1970–1971) \n\n \n \n\n\nArmin Thurnher – Redner\n\nMartin Winkler – Bariton\n\nStefan Obmann – Posaune\n\nLeonhard Garms – Dirigent
URL:https://www.leonhardgarms.com/event/klangforum-wien-holszky-kurtag/
LOCATION:schubert-saal\, Konzerthaus Wien
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160329
DTEND;VALUE=DATE:20170608
DTSTAMP:20261023T001913
CREATED:20260331T125450Z
LAST-MODIFIED:20260331T125450Z
UID:409-1459209600-1496879999@www.leonhardgarms.com
SUMMARY:Mr. West
DESCRIPTION:Silent movie by Lev Kulešov with music by Judith Varga. \nKonzerthaus Wien\, MÜPA Budapest\, Brückenfestival Mürzzuschlag \nEnsemble PHACE \n__________________________________________________________ \nconductor\nLeonhard Garms \nPHACE\nAlvaro Collao León\, saxophone\nSpiros Laskaridis\, trumpet\nMathilde Hoursiangou\, piano/keyboard\nBerndt Thurner\, percussion\nIvana Pristasova\, violin\nRafal Zalech\, viola\nRoland Schueler\, cello\nGhenadie Rotari\, accordeon\nAlfred Reiter\, electronics/sound design \n__________________________________________________________ \nDate: \n12. January 2017 // 20:00\nTransparent Sound Festival – MÜPA Budapest \n07. June 2017 // 19:30\nFestival brücken – Mürzzuschlag \nWORLD PREMIERE\n29. March 2016 // 19:30\nWiener Konzerthaus\, Großer Saal
URL:https://www.leonhardgarms.com/event/mr-west/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150801
DTEND;VALUE=DATE:20151001
DTSTAMP:20261023T001913
CREATED:20260331T133716Z
LAST-MODIFIED:20260331T133716Z
UID:426-1438387200-1443657599@www.leonhardgarms.com
SUMMARY:Soundinitiative tournée
DESCRIPTION:soundinitiative is embarking on a tour to Singapore\, New Zealand and Australia supported by the Institut Français\, SPEDIDAM and the Fond d’Amitié France Nouvelle Zélande. The group is taking on tour two programs\, a long-form cycle by Austrian composer Bernhard Long ‘The Exhausted’ co-commissioned by the Bendigo International Festival for Exploratory Music and a program of French music  including works by Grisey\, Pesson\, Leroux\, Iannotta\, Cendo & Bertrand entitled ‘Made in France’. \nAs well as performances in Wellington\, Bendigo\, Brisbane and Singapore\, the group will be ensemble in residence at Yong Siew Toh Conservatory (Singapore)\, Nanyang Academy of Fine Arts (Singapore)\, Raffles Institution (Singapore)\, the New Zealand School of Music (Wellington)\, the University of Melbourne Conservatorium (Melbourne) and Monash University (Melbourne).\n_____________________ \nEnsemble Soundinitiative \nSingapore – Bendigo/Brisbane/Melbourne (Australia) – Wellington (New Zealand)
URL:https://www.leonhardgarms.com/event/soundinitiative-tournee/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150101
DTEND;VALUE=DATE:20170101
DTSTAMP:20261023T001913
CREATED:20260331T132741Z
LAST-MODIFIED:20260331T132931Z
UID:418-1420070400-1483228799@www.leonhardgarms.com
SUMMARY:2015-2016 Graz Opera
DESCRIPTION:opera/operetta/ballett\, among others: \n· Otello by Giuseppe Verdi \nwith Kristian Benedikt & Gal James \n \n· Ballett on music by Franz Schubert \n· My fair lady by Frederick Loewe
URL:https://www.leonhardgarms.com/event/2015-2016-graz-opera/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20100101
DTEND;VALUE=DATE:20130101
DTSTAMP:20261023T001913
CREATED:20260331T133112Z
LAST-MODIFIED:20260331T135048Z
UID:422-1262304000-1356998399@www.leonhardgarms.com
SUMMARY:2010-2012 Istanbul State Opera
DESCRIPTION:opera among others: \n·L’elisir d’amore  \n·Don Pasquale \nvideo: https://www.youtube.com/watch?v=9t2UtHVQzfo \n·The turn of the screw \nvideo: https://youtu.be/89Lhb1aTtXg
URL:https://www.leonhardgarms.com/event/2010-2012-istanbul-state-opera/
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20080101
DTEND;VALUE=DATE:20110101
DTSTAMP:20261023T001913
CREATED:20260331T133307Z
LAST-MODIFIED:20260331T135010Z
UID:424-1199145600-1293839999@www.leonhardgarms.com
SUMMARY:2008-2010 Opera Regensburg
DESCRIPTION:opera/operetta/ballett\, among others: \nEvgeni Onegin\, Schwanensee\, Land de Lächelns\, Der Zigeunerbaron\, Dreigroschenoper
URL:https://www.leonhardgarms.com/event/2008-2010-opera-regensburg/
END:VEVENT
END:VCALENDAR