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BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20261003T130000
DTEND;TZID=Europe/Paris:20261003T140000
DTSTAMP:20261022T224437
CREATED:20260329T183701Z
LAST-MODIFIED:20260331T122703Z
UID:310-1791032400-1791036000@www.leonhardgarms.com
SUMMARY:Wigmore Hall\, London
DESCRIPTION:· Beat Furrer Aria \n· Patricia Alessandrini A place no one lives \n· Eda Er  Happily ever after \n· Johanna Varga & Marisol Montalvo soprano \n  \nSchallfeld Ensemble
URL:https://www.leonhardgarms.com/event/wigmore-hall-london/
LOCATION:Wigmore Hall\, 36 Wigmore St\, London\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260829T080000
DTEND;TZID=Europe/Paris:20260829T170000
DTSTAMP:20261022T224437
CREATED:20260829T224903Z
LAST-MODIFIED:20260829T224903Z
UID:638-1787990400-1788022800@www.leonhardgarms.com
SUMMARY:Konzerthaus Wien
DESCRIPTION:Relics by Mauro Lanza and Claudio Panariello \n 
URL:https://www.leonhardgarms.com/event/konzerthaus-wien/
LOCATION:Konzerthaus Wien\, Lothringerstraße 20\, Wien\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260627
DTEND;VALUE=DATE:20260628
DTSTAMP:20261022T224437
CREATED:20260329T192339Z
LAST-MODIFIED:20260331T122457Z
UID:317-1782518400-1782604799@www.leonhardgarms.com
SUMMARY:Orchestra Sinfonica Siciliana 
DESCRIPTION:· Franz Schreker Der Geburtstag der Infantin \n· Erich Korngold Robin Hood Suite \n· Kurt Weill Lady in the Dark Suite \n  \nOrchestra Sinfonica Siciliana
URL:https://www.leonhardgarms.com/event/stagione-estiva-orchestra-sinfonica-siciliana-2/
LOCATION:Cantine borboniche\, Partinico\, Italy
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260626
DTEND;VALUE=DATE:20260627
DTSTAMP:20261022T224437
CREATED:20260329T192217Z
LAST-MODIFIED:20260331T122408Z
UID:314-1782432000-1782518399@www.leonhardgarms.com
SUMMARY:Orchestra Sinfonica Siciliana 
DESCRIPTION:· Franz Schreker Der Geburtstag der Infantin \n· Erich Korngold Robin Hood Suite \n· Kurt Weill Lady in the Dark Suite \n  \nOrchestra Sinfonica Siciliana
URL:https://www.leonhardgarms.com/event/stagione-estiva-orchestra-sinfonica-siciliana/
LOCATION:Villa Filippina\, Villa Filippina\, Palermo\, Italy
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260525T200000
DTEND;TZID=Europe/Paris:20260525T213000
DTSTAMP:20261022T224437
CREATED:20260325T011628Z
LAST-MODIFIED:20260325T011628Z
UID:228-1779739200-1779744600@www.leonhardgarms.com
SUMMARY:Milano Musica
DESCRIPTION:Programm\nJérôme Combier \nNotebook of possible time (2026)*\n\nCommissioned by Schallfeld Ensemble e Milano Musica with the support of the Ernst von Siemens Musikstiftung\n \nBenjamin Scheuer \nKinetische Konturen (2026)*\nper ensemble ed elettronica\n \nCommissioned by Schallfeld Ensemble with the support of the Ernst von Siemens Musikstiftung \nFranck Bedrossian \nIt (2004\, 14′) \nLorenzo Troiani \nL’onda diagonale (2025-26\, 18′)\n\nCommission Schallfeld Ensemble with the support of BMWKMS
URL:https://www.leonhardgarms.com/event/milano-musica/
LOCATION:Fabbrica del Vapore\, Via Giulio Cesare Procaccini\, 4\, Milano\, Italy
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/1.-MIMU26_Banner-1150x500px.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260522T200000
DTEND;TZID=Europe/Paris:20260522T213000
DTSTAMP:20261022T224437
CREATED:20260329T192547Z
LAST-MODIFIED:20260331T122208Z
UID:320-1779480000-1779485400@www.leonhardgarms.com
SUMMARY:Spiegelungen II
DESCRIPTION:Programm\nJérôme Combier \nNotebook of possible time (2026)* WP\n\nCommissioned by Schallfeld Ensemble and Milano Musica with the support of the Ernst von Siemens Musikstiftung\n \nBenjamin Scheuer \nKinetische Konturen (2026)* WP\nfor ensemble and electronics\n \nCommissioned by Schallfeld Ensemble with the support of the Ernst von Siemens Musikstiftung \nNoriko Baba \nBestiarium Musicale I \nLorenzo Troiani \nL’onda diagonale (2025-26\, 18′) WP\n\nCommission Schallfeld Ensemble with the support of BMWKMS
URL:https://www.leonhardgarms.com/event/schallfeld-season-2-2/
LOCATION:Großer Minoritensaal\, Mariahilferplatz 3\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/schallfeldcopia-e1660827183606.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260429T200000
DTEND;TZID=Europe/Paris:20260429T213000
DTSTAMP:20261022T224437
CREATED:20260325T005418Z
LAST-MODIFIED:20260325T005418Z
UID:208-1777492800-1777498200@www.leonhardgarms.com
SUMMARY:Geometrien I: Spiegelungen
DESCRIPTION:Schallfeld Ensemble + NAMES \nNew works by Sara Stevanović & Filippo Perocco
URL:https://www.leonhardgarms.com/event/geometrien-i-spiegelungen/
LOCATION:ArgeKultur Salzburg\, Ulrike-Gschwandtner-Straße 5\, 5020\, Salzburg\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/event2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260427T200000
DTEND;TZID=Europe/Paris:20260427T213000
DTSTAMP:20261022T224437
CREATED:20260325T005619Z
LAST-MODIFIED:20260325T005619Z
UID:212-1777320000-1777325400@www.leonhardgarms.com
SUMMARY:Spiegelungen I: Geometrien
DESCRIPTION:For the first time\, Ensemble NAMES – New Art and Music Ensemble Salzburg and Schallfeld Ensemble join forces in a special collaboration: a project for double ensemble featuring two world premieres written for the occasion. \nOn stage\, the two ensembles face one another in a symmetrical\, mirror-like configuration\, using spatial and non-spatial structures alike as points of departure for sonic\, relational\, and performative explorations. \nThe program consists of two world premieres. Filippo Perocco’s new work engages with fragments\, remnants\, and moments of precariousness. Drawing on Robert Schumann’s letters from Endenich\, the composition traces a movement toward a “zero point\,” where what remains comes as close as possible to a musical essence. The second premiere is a multimedia composition by Sara Stevanović\, exploring concepts such as similarity\, correspondence\, and the idea of an ideally balanced equilibrium on a musical level.
URL:https://www.leonhardgarms.com/event/spiegelungen-i-geometrien/
LOCATION:Schaumbad – Freies Atelierhaus Graz\, Puchstraße 41\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/event1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20260215T190000
DTEND;TZID=Europe/Paris:20260215T203000
DTSTAMP:20261022T224437
CREATED:20260331T085645Z
LAST-MODIFIED:20260331T085645Z
UID:378-1771182000-1771187400@www.leonhardgarms.com
SUMMARY:Masterclass University of California San Diego
DESCRIPTION:February 10-14th \, Schallfeld will work with composers  from the University of South California / San Diego\, joining forces with local instrumentalists\, performing pieces by the PhD Students .Anahita Abassi\, Andrés Gutiérrez Martínez\, Stephen de Filippo\, Ioannis Mitsialis\, Nasim Khorassani\, Qingqing Wang and Tiange Zhou. \n  \nProgram\nAnahita Abassi -Situation II / Dialoge for Flute\, Clarinet\, Saxophone\, Piano\, Violin\, Cello\, Double bass & Objects \nAndrés Gutiérrez Martínez – Monolito\, for bassclarinet\, doublebass and piano \nStephen de Filippo – A moment exposed\, for mixed chamber ensemble \nIoannis Mitsialis – Jupiter\, for ensemble \nNasim Khorassani – Paper Pigeons\, for Schallfeld Ensemble and papers \nQingqing Wang – Circles\, for clarinet\, piano\, violin violoncello and contrabass \nTiange Zhou -Morphing
URL:https://www.leonhardgarms.com/event/masterclass-university-of-california-san-diego/
LOCATION:UCSD – Conrad Prebys Concert\, La Jolla\, California\, United States
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20251221T190000
DTEND;TZID=Europe/Paris:20251221T200000
DTSTAMP:20261022T224437
CREATED:20260325T005955Z
LAST-MODIFIED:20260325T005955Z
UID:216-1766343600-1766347200@www.leonhardgarms.com
SUMMARY:Opera Now: Reflex
DESCRIPTION:…they thought they were watching signals\, shaped carefully\, slowed down so you wouldn’t question their source — moved like you expected\, because we had rehearsed this expectation. And when the frame shifted back\, even when it wasn’t there\, even when nothing was there\, it struck the surface as weight\, bent\, adjusted\, to show how easily you can hold meaning where there is none. Now everything has turned back to you again\, now that nothing explains itself\, but you still can name it if you look backwards… \nIn RefleX verschmelzen Geste\, Klang und Bild zu einem fluiden Feld\, in dem kein Element überwiegt und nichts sich vollständig offenbart. In einem poetisch ausgeleuchteten Raum erscheinen Bewegung und Licht nicht als Begleitung der Musik\, sondern als eigenständige Kräfte\, die sich durchdringen\, aufeinanderstoßen und gegenseitig verwandeln.\nMehrere halbtransparente Projektionsflächen durchziehen den Raum und ermöglichen den Interpret:innen\, mit Video-Reflexionen zu interagieren – Spuren einer körperlichen Handlung\, die sich visuell transformieren und im Bewusstsein der Betrachtenden eine neue akustische Bedeutung entfalten. Die Videogesten sind keine Abbilder\, sondern verschobene Spiegelungen – reflexed traces – einer Handlung\, die durch Licht\, Klang und Zeit wiederkehrt. So entsteht eine vielschichtige Erfahrung\, in der die sinnlichen Ebenen einander nicht illustrieren\, sondern sich zu einer untrennbaren\, sich ständig wandelnden Präsenz verweben.\n\nRefleX ist eine interdisziplinäre Musikperformance des Grazer Komponisten Antonis Rouvelas\, die Musik\, Video und Licht miteinander verbindet. Das Werk ist Teil seiner doktoratsbezogenen Forschung und wird von renommierten Musiker:innen aufgeführt. \nAntonis Rouvelas (GRE/AT) | Komposition\, Video\,\nLichtdesign\, Inszenirung\nHelena Sorokina (LV/AT) | Gesang\nCaroline Mayrhofer (AT) | Blockflöte\nElena Gabbrielli (IT/AT) | Flöte\nGerald Preinfalk (AT) | Saxophon\nDavid Schmidt (AT) | Trompete\nNassos Ioannou (GRE/AT) | Horn\nPablo Marin-Reyes (GT/AT) | Posaune\nGeorge Lolas (MK/AT) | Akkordeon\nDimitrios Polisoidis (GRE/AT) | Bratsche\nAnna Grenzner (ESP/AT) | Cello\nLorenzo Derinni (IT/AT) | Geige\nPhilipp Kienberger (AT) | Kontrabass\nLeonhard Garms (IT/AT) | Dirigent\nDavide Gagliardi (IT/AT) | Klangregie\nAlisa Kobzar (UKR/AT) | Video Operator
URL:https://www.leonhardgarms.com/event/opera-now-reflex/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20251124T200000
DTEND;TZID=Europe/Paris:20251124T213000
DTSTAMP:20261022T224437
CREATED:20260325T010208Z
LAST-MODIFIED:20260325T010208Z
UID:219-1764014400-1764019800@www.leonhardgarms.com
SUMMARY:Saisonkonzert Korpus IV: Alla luce e al sangue
DESCRIPTION:ALLA LUCE E AL SANGUE is the fourth concert of Schallfeld Ensemble 2025 KORPUS season. \nThe programme includes works by Patricia Alessandrini and Zesses Seglias\, as well as two world premieres by Anna Arkushyna and Brendan Champeaux. \nProgram\nBrendan Champeaux* – Cipher (2025 UA) \nComissioned by Schallfeld Ensemble with the support of SACEM \nAnna Arkushyna – Unnatural Selection: Real Body Fake (2025 UA) \nComissioned by Schallfeld Ensemble funded by BMWKMS and SKE-Fonds \nPatricia Alessandrini – Leçons de ténèbres (2016 – UA der neuen Fassung 2025) \nZesses Seglias** – Madrigali alla luce e al sangue (2021-2022) \n  \n*Brendan Champeaux is Styrian Artist in Residence (StAiR) 2025 \n** With the support of  The J.F. Costopoulos Foundation
URL:https://www.leonhardgarms.com/event/saisonkonzert-korpus-iv-alla-luce-e-al-sangue/
LOCATION:Minoritensaal Graz\, Mariahilferplatz 3\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/Captura-de-pantalla-2025-09-30-a-las-19.09.23.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20250524T200000
DTEND;TZID=Europe/Paris:20250524T210000
DTSTAMP:20261022T224437
CREATED:20260325T010334Z
LAST-MODIFIED:20260325T010334Z
UID:223-1748116800-1748120400@www.leonhardgarms.com
SUMMARY:Saison 2025 KORPUS III: SKIN
DESCRIPTION:On 24 May\, Schallfeld will perform SKIN\, the third concert of its 2025 KORPUS season. \nUnder the title SKIN\, things get musically intimate as we present music that literally gets under your skin in a poetic\, metaphorical and sensual way. In addition to two world premieres by Luca Guidarini (Styrian Artist in Residence 2025) and Andrés Gutiérrez Martínez (Grain\, 2017 – new version 2025)\, which delve into organic worlds of sound\,\nwe dedicate ourselves to the magnum opus ‘Skin’ by the renowned British composer Rebecca Saunders (Ernst von Siemens Music Prize 2019). Ensemble Schallfeld will be accompanied by soprano Juliet Fraser\, for whom this work was composed.
URL:https://www.leonhardgarms.com/event/saison-2025-korpus-iii-skin/
LOCATION:Minoritensaal Graz\, Mariahilferplatz 3\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20250411T200000
DTEND;TZID=Europe/Paris:20250411T213000
DTSTAMP:20261022T224437
CREATED:20260325T012432Z
LAST-MODIFIED:20260325T012451Z
UID:232-1744401600-1744407000@www.leonhardgarms.com
SUMMARY:Dialoghi -  Mahler\, Debussy\, Filidei
DESCRIPTION:Dialoghi\n\n\n\nLeonhard Garms dirige l’Orchestra dell’Opera Carlo Felice Genova. In programma Claude Debussy e Francesco Filidei\n\n\n\n\nCLAUDE DEBUSSY\nChildren’s Corner\n(orchestrazione di André Caplet) \nFRANCESCO FILIDEI\nStèle pour Vierne\n(prima esecuzione assoluta della nuova versione) \nGUSTAV MAHLER\nKindertotenlieder \n\nMezzosoprano\nHagar Sharvit \nDirettore\nLeonhard Garms \nOrchestra dell’Opera Carlo Felice Genova \n  \nhttps://genova.repubblica.it/cronaca/2025/04/12/news/carlo_felice_sinfonica_garms_impeccabile_tra_le_suggestioni_di_filidei_e_i_lieder_di_mahler-424124373/amp/ \nhttps://www.corrieredellospettacolo.net/2025/04/12/leonhard-garms-al-teatro-carlo-felice/
URL:https://www.leonhardgarms.com/event/dialoghi-mahler-debussy-filidei/
LOCATION:Teatro Carlo Felice\, Genova\, Italy
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/Leonhard-Garms-Opera-Carlo-Felice-24-25.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20250219T200000
DTEND;TZID=Europe/Paris:20250219T210000
DTSTAMP:20261022T224437
CREATED:20260325T012808Z
LAST-MODIFIED:20260325T012808Z
UID:236-1739995200-1739998800@www.leonhardgarms.com
SUMMARY:impuls Festival: KORPUS I
DESCRIPTION:Claudio Panariello To learn the obscene art of suffering pain\, for flute\, clarinet\, saxophone\, percussion\, piano\, violin\, viola\, cello\, double bass\, electronics (2022) \nCarola Bauckholt Keil\, for flute\, clarinet\, percussion\, piano\, violin\, viola\, cello\, double bass (2000) \nChristophe Bertrand Madrigal\, for soprano\, flute\, clarinet\, percussion\, piano\, violin\, cello (2005) \nMisato Mochizuki Voilages\, for flute\, clarinet\, piano\, violin\, viola\, cello (2000) \nAlexander Khubeev don’t leave the room\, for performer\, flute\, clarinet\, trombone\, percussion\, piano\, violin\, cello\, electronics\, live-video (2020)* \n\nHaving been connected to impuls in various ways over the years\, Graz based Schallfeld Ensemble presents its first concert of the 2025 season – dedicated to „Body“ as main theme – within the impuls Festival. Starting with the experience of pain (and confrontation with hybridity\, otherness and detachment) in Panariello´s work\, the program clashes into the hyperbolic description of Gargantua’s gigantic body (Bertrand) and finally arrives at Khubeev’s paradoxical musical investigation of the body as a linguistic medium. Just like in former years\, with Carola Bauckholt and Misato Mochizuki two renowned composers teaching at the impuls Academy\, are included in the program\, opening up the possibility to work and exchange closely with them. \n\nSchallfeld Ensemble \nElisa Azzarà flutes \nSzilárd Benes clarinets \nDiego García Pliego saxophones \nPablo Marin-Reyes trombone \nMaria Flavia Cerrato piano \nManuel Alcaraz Clemente (solo*) percussion \nSimon Klavžar percussion \nLorenzo Derinni violin \nFrancesca Piccioni viola \nMyriam García Fidalgo cello \nMargarethe Maierhofer-Lischka double bass \n  \nAnnette Schönmüller voice \nDavide Gagliardi sound design\, live-electronics \nLeonhard Garms conductor
URL:https://www.leonhardgarms.com/event/impuls-festival-korpus-i/
LOCATION:Ligeti Saal\, Lichtenfelsgasse 14\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/impulsbanner_aussendung-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20250129T193000
DTEND;TZID=Europe/Paris:20250129T210000
DTSTAMP:20261022T224437
CREATED:20260325T013150Z
LAST-MODIFIED:20260325T013150Z
UID:240-1738179000-1738184400@www.leonhardgarms.com
SUMMARY:Alive – NOW! Oper der Gegenwart
DESCRIPTION:Sinan Samanli (TUR/AT) | Komposition\, Oud\nAlisa Kobzar (UKR/AT) | Klangkunst\, Live Audio-Visual\nAntonis Rouvelas (GRE/AT) | Lichtdesign\nmit Schallfeld Ensemble \n\nDie Handlung von Alive basiert auf dem philosophischen Roman Hayy ibn Yaqzan des arabisch-andalusischen Universalgelehrten Ibn Tufail aus dem 12. Jahrhundert.\nDie Geschichte erzählt von einem Kind\, das allein auf einer abgeschiedenen indischen Insel aufwächst. Seine einzigen Gefährten sind wilde Tiere\, von denen eines die Rolle einer Elternfigur übernimmt und es aufzieht\, bis es eigenständig wird. Der Protagonist Hayy spricht in den ersten 50 Jahren seines Lebens nicht\, doch seine unstillbare Neugier führt ihn von einem sprachlich eingeschränkten Autodidakten zu einer systematischen Erforschung von Wissen\, die schließlich in einer umfassenden metaphysischen Perspektive mündet. Die Struktur des Romans zeichnet Hayys intellektuelle und spirituelle Entwicklung über die ersten fünf Jahrzehnte seines Lebens nach.\nIbn Tufails brillante literarische Technik\, die philosophische Tiefe seines Werkes in einen direkten und ansprechenden Stil zu kleiden\, inspirierte die Konzeption eines multimedialen Werks ohne gesprochene Worte. Stattdessen stehen Klang und Bild im Mittelpunkt. Hayys tiefe Neugier auf die natürlichen Gegebenheiten seiner Insel sowie seine intellektuellen und spirituellen Erkundungen transzendentaler Ideen bilden die Grundlage für ein immersives audiovisuelles Erlebnis mit Instrumenten und interaktiver Live-Elektronik.\nDie unkonventionelle Instrumentenbesetzung wurde so gewählt\, dass sie eine vielfältige Klangpalette bietet. Raumkonzepte spielen in der Musik eine zentrale Rolle\, um die Landschaften zu veranschaulichen\, mit denen Hayy interagiert. Die Flöte nimmt dabei eine besondere Stellung ein\, da sie von allen Instrumenten dem menschlichen Sprachklang am nächsten kommt. Das traditionelle östliche Instrument Oud vermittelt mit seiner einzigartigen Klanglichkeit die Wärme und Eleganz von Ibn Tufails Stil.
URL:https://www.leonhardgarms.com/event/alive-now-oper-der-gegenwart/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/Poster_Alive_A3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20241126T193000
DTEND;TZID=Europe/Paris:20241126T210000
DTSTAMP:20261022T224437
CREATED:20260325T013543Z
LAST-MODIFIED:20260325T013543Z
UID:245-1732649400-1732654800@www.leonhardgarms.com
SUMMARY:Musikagileak Contemporary Music Circuit
DESCRIPTION:Ramón Lazkano: Egan 2 \nAurelio Edler-Copes: Untitled November 2011 \nMikel Urquiza: Ars Memoriae \nGeorg Friedrich Haas: Tria ex uno
URL:https://www.leonhardgarms.com/event/musikagileak-contemporary-music-circuit/
LOCATION:Musikene\, Europa Plaza\, Nº2\, Donostia - San Sebastián\, Spain
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240529T200000
DTEND;TZID=Europe/Paris:20240529T213000
DTSTAMP:20261022T224437
CREATED:20260325T013904Z
LAST-MODIFIED:20260325T013904Z
UID:248-1717012800-1717018200@www.leonhardgarms.com
SUMMARY:The great unlearning III: Umfaltet
DESCRIPTION:Program\nBenjamin Scheuer – Jammerorgel \nErin Gee – Mouthpiece 34 \nErin Gee – Mouthpiece: Segment of the 3rd letter \nHannes Kerschbaumer – Umfaltet \nIsaac Blumfield – Before you were born \n  \nSoloists: Helena Sorokina and Erin Gee 
URL:https://www.leonhardgarms.com/event/the-great-unlearning-iii-umfaltet/
LOCATION:Schaumbad – Freies Atelierhaus Graz\, Puchstraße 41\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/DSC_0291.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20240125T200000
DTEND;TZID=Europe/Paris:20240125T213000
DTSTAMP:20261022T224437
CREATED:20260325T014214Z
LAST-MODIFIED:20260325T014214Z
UID:251-1706212800-1706218200@www.leonhardgarms.com
SUMMARY:Focus on Pierre Jodlowksi – open music
DESCRIPTION:Pierre Jodlowksi Outer Space\, for trombone\, electronics\, video\, lights (2018) \nPierre Jodlowksi Time & Money\, for percussion\, video\, electronics (2006) \nPierre Jodlowksi Criogenesis\, for cello\, text (2007) \nPierre Jodlowksi People / Time\, for 5 musicians\, video\, electronics (2003) \n— \nPierre Jodlowski is a composer\, performer and multimedia artist. His music\, which is often made by means of a high level of joy\, spans the genre between acoustic and electronic music and is often directed towards a dramatic and political core. His work has taken him to France and abroad\, where he has been involved in the creation of venues for new music\, classical music and\, for example\, for tango\, theatre\, art and electronic music. His music is defined as an “active process” on the physical level (musical gestures\, energy and space) and on the psychological level. \nIn parallel to his work as a composer\, he is also active as a performer in various fields (experimental music\, jazz\, electronics) \nSchallfeld Ensemble will perform at “open music” as a Young Ensemble in Residence of the Ulysses Network funded by the Creative Europe Programme of the European Union and in cooperation with impuls\, whose associated partner is “open music” with several projects in 2023 and 2024. \nFoto Gilles Vidal\n  \nEnsemble Schallfeld \nSzilárd Benes clarinet \nManuel Alcaraz Clemente percussion \nLorenzo Derinni violin \nMyriam García Fidalgo cello \nLeonhard Garms conductor \nDavide Gagliardi video\, live-electronics\, sound design \nMikael Rudolfsson trombone \nPierre Jodlowski electronics\, video\, lights
URL:https://www.leonhardgarms.com/event/focus-on-pierre-jodlowksi-open-music/
LOCATION:Theater am Lend\, Wienerstraße 58a\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/Jodlowski2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20231201T200000
DTEND;TZID=Europe/Paris:20231201T213000
DTSTAMP:20261022T224437
CREATED:20260325T014629Z
LAST-MODIFIED:20260325T014629Z
UID:254-1701460800-1701466200@www.leonhardgarms.com
SUMMARY:Dialoghi - Liszt\, Filidei and Messiaen
DESCRIPTION:Dialoghi\n\n\n\nLeonhard Garms conducts the Opera Carlo Felice Orchestra Music by Liszt\, Filidei and Messiaen\n\n\n\n\nFRANZ LISZT\nLégendes S. 175\n(S. Francesco da Paola – S. Francesco D’Assisi) \nFRANCESCO FILIDEI\nCantico delle creature\nItalian premiere\nCommissioned by Fondazione Teatro Carlo Felice Genova\, Ensemble Modern and Berliner Festspiele / Musikfest Berlin\nOn the occasion of the project “Genova Capitale del Medioevo 2024” \nFRANZ LISZT\nPrometheus S. 99 \nOLIVIER MESSIAEN\nL’Ascension \n\nSoprano\nJeanne Crousaud \nConductor\nLeonhard Garms \nOpera Carlo Felice Genova Orchestra \n \nVideo: https://youtu.be/M3ga2JrqH_M \n 
URL:https://www.leonhardgarms.com/event/dialoghi-liszt-filidei-and-messiaen/
LOCATION:Teatro Carlo Felice\, Genova\, Italy
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/Leonhard-Garms-Opera-Carlo-Felice.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20231126T200000
DTEND;TZID=Europe/Paris:20231126T210000
DTSTAMP:20261022T224437
CREATED:20260325T071713Z
LAST-MODIFIED:20260331T075221Z
UID:262-1701028800-1701032400@www.leonhardgarms.com
SUMMARY:Ljubljana  New Music Forum 2023: The Raise of Electronics with Video
DESCRIPTION:Agata Zubel\, voice; Marcin Bania\, video; New Music Forum Ensemble; Leonhard Garms\, conductor \n  \nPierre Jodlowski\, In & out\nMalin Bang\, palinode\nChristophe Bertrand\, Madrigal\nLuka Prinčič\, Algoforte 5 [world premiere\, commissioned by LJNMF 2023]\nAgata Zubel\, Not I \n 
URL:https://www.leonhardgarms.com/event/new-music-forum-2023-the-raise-of-electronics-with-video/
LOCATION:Ljubljana\, Ljubljana\, Slovenia
ATTACH;FMTTYPE=image/png:https://www.leonhardgarms.com/wp-content/uploads/2026/03/Vzhod-elektronike-z-videom_naslovnica.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20231118T200000
DTEND;TZID=Europe/Paris:20231118T220000
DTSTAMP:20261022T224437
CREATED:20260325T072207Z
LAST-MODIFIED:20260325T073440Z
UID:270-1700337600-1700344800@www.leonhardgarms.com
SUMMARY:Über Wege Saison Konzert IV: Wachsen
DESCRIPTION:Marco Döttlinger – Abyssal Zone Music UA \n(Kompositionsauftrag von Schallfeld mit Unterstützung des BMKÖS) \nDilay Doğanay- LULLABY(E)  UA \n(Kompositionsauftrag von Schallfeld mit Mitteln aus dem Grossen Interpretationspreis 2022 des Landes Steiermark) \nAndrés Gutiérrez Martínez – A weave of artifacts  UA \n(Kompositionsauftrag von Schallfeld Ensemble) \nLorenzo Romano – Edible Music UA
URL:https://www.leonhardgarms.com/event/uber-wege-saison-konzert-iv-wachsen/
LOCATION:Schaumbad – Freies Atelierhaus Graz\, Puchstraße 41\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/portadafb-1536x864-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20231113T200000
DTEND;TZID=Europe/Paris:20231113T220000
DTSTAMP:20261022T224437
CREATED:20260325T072023Z
LAST-MODIFIED:20260325T073356Z
UID:266-1699905600-1699912800@www.leonhardgarms.com
SUMMARY:Über Wege Saison Konzert III: Labyrinthe
DESCRIPTION:György Ligeti – Kammerkonzert \nMarko Nikodijević – music box / selbstportrait mit ligeti und strawinsky (und messiaen ist auch dabei) \nAnahita Abbasi: Distorted Attitudes II (Labyrinth) \nFlorent Caron Darras: Soleil mat
URL:https://www.leonhardgarms.com/event/uber-wege-saison-konzert-iii-labyrinthe/
LOCATION:Maria Cäsar Saal\, Volkshaus Graz\, Lagergasse 98\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/portadafb-1536x864-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20231006T213000
DTEND;TZID=Europe/Paris:20231006T223000
DTSTAMP:20261022T224437
CREATED:20260325T072421Z
LAST-MODIFIED:20260325T073249Z
UID:272-1696627800-1696631400@www.leonhardgarms.com
SUMMARY:musikprotokoll
DESCRIPTION:Beat Furrer – intorno al bianco \nKatherina Klement – Monde II – Fortschreibung (WP) \nSehyung Kim – NN (WP) \nCarlo Elia Praderio – Dune (WP) \n  \nSchallfeld Ensemble misses the acoustic connections to the physical world. Carlo Elia Praderio calls his new work Dune. For him\, the gradual transitions from solo instrument to ensemble in this acoustic “dune” are metaphors for climate change: small changes with big effects. \nKatharina Klement also relates individuals and space: in Monde II\, she uses the sounds of concrete mixers filled with different materials such as sand or wood. She transfers the resulting loops into a circular spatial concept\, analogous to the model of several moons that individually circle to form an open whole\, thus creating a coherent monde (world). \nBeat Furrer’s Intorno al bianco for clarinet and string quartet is also about communication between the ensemble and the individual. Sehyung Kim sets nine instruments in relation to live electronics and the theme of plastic. \n  \nThe compositions by Sehyung Kim and Katharina Klement are commissioned by ORF musikprotokoll. The composition by Carlo Elia Praderio is a commission by Schallfeld Ensemble\, part of a series of new works that Schallfeld was able to commission thanks to the Province of Styria’s Großer Interpretationspreis 2022.
URL:https://www.leonhardgarms.com/event/musikprotokoll/
LOCATION:Helmut List Halle\, Waagner-Biro-Straße 98a\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/347449498_797498078567246_3157729283221521613_n.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230911T200000
DTEND;TZID=Europe/Paris:20230911T213000
DTSTAMP:20261022T224437
CREATED:20260325T072730Z
LAST-MODIFIED:20260325T073208Z
UID:276-1694462400-1694467800@www.leonhardgarms.com
SUMMARY:Klangspuren Festival – Konzert II
DESCRIPTION:Timothy McCormack: Neues Werk\, 2023\, UA\nKompositionsauftrag finanziert durch die Ernst von Siemens Musikstiftung\nAnna Korsun: Neues Werk\, 2023\, UA\nKompositionsauftrag finanziert durch die Ernst von Siemens Musikstiftung\nHannes Kerschbaumer: Umfaltet\, 2023\, UA\nChaya Czernowin: Fast Darkness III: Moonwords\, 2022 \n\n\n\nSchallfeld Ensemble:\nElisa Azzarà\, Flöten \nSzilárd Benes\, Klarinetten \nMatej Bunderla\, Saxophone \nGeorge Lolas\, Akkordeon \nManuel Alcaraz Clemente\, Schlagzeug \nMaria Flavia Cerrato\, Klavier \nLorenzo Derinni\, Violine \nFrancesca Piccioni\, Viola \nMyriam García Fidalgo\, Violoncello \nFrantišek Výrostko\, Kontrabass \nPierre-André Valade\, Dirigent \nTyler Bouque\, Solo Stimme (Bariton) \nHelēna Sorokina\, Solo Stimme (Altistin)\nPierre-André Valade\, Dirigent
URL:https://www.leonhardgarms.com/event/klangspuren-festival-konzert-ii/
LOCATION:ORF Tirol\, Studio 3\, Innsbruck\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/Captura-de-Pantalla-2023-05-31-a-las-17.46.31-1536x562-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230723T200000
DTEND;TZID=Europe/Paris:20230723T213000
DTSTAMP:20261022T224437
CREATED:20260325T073041Z
LAST-MODIFIED:20260325T073041Z
UID:280-1690142400-1690147800@www.leonhardgarms.com
SUMMARY:Eröffnungskonzert impuls Festival
DESCRIPTION:A festival is by definition a time of celebration\, and there are many things we want to celebrate in the program of the Opening Concert of the 8th Edition of the impuls Festival: on the occasion of his 80th birthday\, we pay homage to Brian Ferneyhough\, and welcome Francesco Filidei and Francesca Verunelli\, who are tutoring at the impuls Academy for the first time. \nCertainly there is\, of course\, the new works: the Austrian premiere of an Ulysses Network commission to Elena Rykova and a new composition by Dmitri Kourliandksi\, created especially for Ensemble Schallfeld to be premiered at impuls 2023; and finally\, we also celebrate Schallfeld’s fifth participation in impuls during the tenth anniversary year of the ensemble. \nThe common thread of this program is the inspiration from extra-musical elements: Whether it is a historical painting (as in “La Chute d’Icare”)\, or the illusion of movement created by static images (as in “Cinemaolio”)\, a poem by Eduardo Sanguineti (in the case of “Finito Ogni Gesto”)\, or places\, lonely inner places in the case of Rykova\, or quite real and quite crowded ones in the case of Kourliandski. Through ekphrasis or synesthesia\, the music always seems to act as a metaphorical space. Therefore\, the score itself lends itself to becoming an abstract place that can be (re)written\, measured\, or “inhabited”. \nPROGRAM\nBrian Ferneyhough La Chute d’Icare\, for mixed Ensemble (1988)* \nDmitri Kourliandski Banlieue\, for flute\, clarinet\, accordion\, violin\, viola\, cello\, double bass\, live-electronics (2023\, world premiere)** \nFrancesco Filidei Finito Ogni Gesto\, for flute\, clarinet\, horn\, percussion\, violin\, cello (2010) \nElena Rykova In the Presence of Absence\, for clarinet\, accordion\, piano\, violin\, cello\, amplification\, electronics (2022\, Austrian premiere) \nFrancesca Verunelli Cinemaolio\, for flute\, clarinet\, piano\, violin\, viola\, cello (2014) \n\n\n—\n\n\n\n\n\nElisa Azzarà flutes | \nSzilárd Benes clarinet* | \nPéter Szűcs clarinets | \nHelene Kenyeri oboe | \nPetrean Radu horn | \nMirko Jevtović accordion | \nManuel Alcaraz Clemente percussion | \nPatrick Skrilecz piano | \nLorenzo Derinni violin | \nPaolo Fumagalli viola | \nMyriam García Fidalgo cello | \nFrantišek Výrostko double bass \nDavide Gagliardi sound design\, live electronics \nDmitri Kourliandski live-lectronics** \nLeonhard Garms conductor
URL:https://www.leonhardgarms.com/event/eroffnungskonzert-impuls-festival/
LOCATION:Ligeti Saal\, Lichtenfelsgasse 14\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230526T200000
DTEND;TZID=Europe/Paris:20230526T210000
DTSTAMP:20261022T224437
CREATED:20260325T073940Z
LAST-MODIFIED:20260331T075433Z
UID:286-1685131200-1685134800@www.leonhardgarms.com
SUMMARY:Filidei/Pommerat: L'Inondation - Grand Theatre du Luxembourg
DESCRIPTION:Grand Théâtre du Luxembourg \nOrchestre de Chambre du Luxembourg \nWriter-director Joël Pommerat contributes his first ever libretto to this family tragedy in two acts\, based on a 1929 short story by Evgueni Zamiatine. The fate of a childless couple who take in an orphan is played out on a multi-storey set: one flat above another\, where similar lives are led. Filidei and Pommerat (also responsible for staging) collaborated closely to create this contemporary vision of outer ordinariness that belies the inner turmoil. Under Leonhard Garms\, the Orchestre de Chambre du Luxembourg deliver a haunting score by Francesco Filidei. \nhttps://www.google.com/url?sa=t&source=web&rct=j&opi=89978449&url=https://www.wort.lu/kultur/hochwasser-und-harte-konflikte-im-grand-theatre/1527594.html&ved=2ahUKEwjqieOMzeyRAxVS8LsIHZFoC1wQFnoECBsQAQ&usg=AOvVaw1AL8XTbSCueTXv1PWaWgbH
URL:https://www.leonhardgarms.com/event/filidei-pommerat-linondation/
LOCATION:Grand Théâtre\, Luxembourg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230502T000000
DTEND;TZID=Europe/Paris:20230502T000000
DTSTAMP:20261022T224437
CREATED:20260325T073700Z
LAST-MODIFIED:20260325T073700Z
UID:284-1682985600-1682985600@www.leonhardgarms.com
SUMMARY:Saison Konzert II: Spuren
DESCRIPTION:Eduardo Moguillansky  – Zähmungen #2 Bogenwechsel (2011-2014) \nLisa Streich – Francesca (2016-2019) Austrian premiere \nPablo Galaz – Crosstalk (2023) World Premiere* \nFilippo Perocco – Velata (2023) World Premiere \n\n*Commissioned by Schallfeld Ensemble\, funded by the  \n  \n\n\nSchallfeld Ensemble\nLeonhard Garms – conductor
URL:https://www.leonhardgarms.com/event/saison-konzert-ii-spuren/
LOCATION:Schaumbad – Freies Atelierhaus Graz\, Puchstraße 41\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/portadafb-1536x864-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20230227T000000
DTEND;TZID=Europe/Paris:20230305T000000
DTSTAMP:20261022T224437
CREATED:20260325T074536Z
LAST-MODIFIED:20260331T075356Z
UID:290-1677456000-1677974400@www.leonhardgarms.com
SUMMARY:L'inondation - Opéra Comique Paris
DESCRIPTION:Francesco Filidei | Joël Pommerat \nA childless couple adopts an orphan girl. The teenager unexpectedly whisks her way into their home and their hearts. \nHusband and wife hardly speak to each other. Silence\, torn apart by the laughter of neighbouring families\, has become unbearable. Overwhelmed with a strong feeling of guilt\, the woman has built herself an inner world that becomes disrupted as the end of winter sees the river’s waters rise. \nBack in 2019\, at the invitation of the Opéra Comique\, Joël Pommerat wrote his first libretto\, adapting a short story by Zamiatine originally published in 1929.\nThe stage writer continuously shared the development of the speech and timing of the scenes with composer Francesco Filidei who was conceiving his second opera for the occasion. Their close collaboration\, their tandem in collusion with the musicians and singers\, gave birth to an operatic creation of a new verve\, capable of expressing the muffled density of the soul. \nThis memorable score of sounds and images staged by Joël Pommerat returns to the Opéra Comique\, with Leonard Garms conducting the intense and vibrant performers. \nOpera in two acts based on the eponymous text written by Evgueni Zamiatine. Created at the Opéra Comique in 2019. \nMusical direction\, Leonhard Garms • Stage direction\, Joël Pommerat • Artistic collaboration Valérie Nègre • With Chloé Briot\, Jean-Christophe Lanièce\, Norma Nahoun\, Pauline Hurietcyr\, Enguerrand de Hys\, Victoire Bunel\, Guilhem Terrail\, Tomislav Lavoie\, la Maîtrise Populaire de l’Opéra Comique • Orchestra de Chambre du Luxembourg \nhttps://operawire.com/opera-comique-2023-review-linondation-filidei/ \n https://www.facebook.com/TheatreDeLOperaComique/videos/1195827617706549/
URL:https://www.leonhardgarms.com/event/linondation/
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20221109T200000
DTEND;TZID=Europe/Paris:20221109T210000
DTSTAMP:20261022T224437
CREATED:20260325T074805Z
LAST-MODIFIED:20260325T074805Z
UID:292-1668024000-1668027600@www.leonhardgarms.com
SUMMARY:The new normal
DESCRIPTION:Programm\nWilliam Dougherty The new normal \nMilica Djordjevic Rdja \nClaudio Panariello To Learn the Obscene Art of Suffering Pain \nEnsemble Kompositionsauftrag des Schallfeld Ensembles im Rahmen des StAiR (Styrian artist in residence) Programmes 2022 des Landes Steiermark \nMisato Mochizuki Chimera \n  \nAt the end of 2021\, when we conceived our 2022 season\, we wanted to focus on an optimistic (but still critical) reflection about the consequences of two years of pandemic in our lives and in the way we experience music together. \nSince February 2022\, the war and many other changes in the world gave a new and unexpected turn to the topics we choose for our concerts (Debris\, Nahe). \nIn our mind\, “The New Normal” stays probably  more close to its original meaning of a reunion to urgent socio-political and existential topics that we might have forgotten or recontextualized during the pandemic as in the last months. \nThe piece “the new normal” by William Daugherty reminds us about social inequality (on a world scale as in his own country\, the USA)\, choosing a direct impact to the audience – however filtered through a calibrated work of collage from ethnomusicological material\, ancient music quotations and other samples. \nMoving from apparently objective scientific phenomena (oxidation and hybridation)\, the works by Milica Djordjevic and Misato Mochizuki bring us respectively to our “rusty”\,  jammed aptitude in the expression of  feelings as to alienating and extraneous processes of transformation. \nClaudio Panariello’s work (Styrian artist in residency 2022) mediates between the innest existential reflection about the experience of pain and its possible narrativity in our society\, which seem to mirror in the “impossible” antiphonal dialogue between a (human) instrumental ensemble and its analogic Doppelgänger – a feedback system driven by piezos microphones and loudspeakers.
URL:https://www.leonhardgarms.com/event/the-new-normal/
LOCATION:Next Liberty\, Kaiser-Josef-Platz 10\, Graz\, Austria
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/schallfeld5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Paris:20221105T000000
DTEND;TZID=Europe/Paris:20221105T000000
DTSTAMP:20261022T224437
CREATED:20260325T075334Z
LAST-MODIFIED:20260331T075524Z
UID:296-1667606400-1667606400@www.leonhardgarms.com
SUMMARY:texte & töne - Symphonieorchester Vorarlberg
DESCRIPTION:Kaija Saariaho\nAile du songe · for flute and chamber orchestra\n\n\n\n\n\nWladimir Rosinskij\nTunnels of Colliseum-2\, Concerto grosso (commissioned work of the SOV)\n\n\n\n\n\nKlaus Lang\nionic light\n\n\nWladimir Rosinskij – composer \n\n\n\n\n\nLeonhard Garms – Conductor\n\n\n\n\n\nAlessandro Baticci – flute \nhttps://www.kulturzeitschrift.at/kritiken/musik-konzert/viel-musik-auf-kleinem-raum-das-symphonieorchester-vorarlberg-und-der-grosse-publikumszuspruch-sprengten-bei-texte-und-toene-beinahe-den-rahmen
URL:https://www.leonhardgarms.com/event/texte-tone/
ATTACH;FMTTYPE=image/jpeg:https://www.leonhardgarms.com/wp-content/uploads/2026/03/sov-2023texteundtoeneklein.jpg
END:VEVENT
END:VCALENDAR